
The Curator's Handbook
Museums, Commercial Galleries, Independent Spaces
Adrian George(Author)
Thames & Hudson Ltd (Publisher)
Published on 23. February 2015
Book
Hardback
334 pages
978-0-500-23928-5 (ISBN)
Article exhausted; check for reprint
Description
The Curator's Handbook is the essential practical handbook for curators and curatorial students, mapping out every stage of the exhibition-making process from initial idea to final installation. In his introduction, Adrian George traces the history of curating back to its origins in the 17th century and outlines the multifarious roles of the curator today, including as custodian, interpreter, educator, facilitator and organizer. Twelve chapters then chart the various stages of the exhibition process in invaluable detail and clear, informative language - from initial concept to writing contracts and loan requests, putting together budgets and schedules, producing exhibition catalogues and interpretation materials, designing gallery spaces, working with artists, lenders and art handlers, organizing private views, and documenting and evaluating a show. A distinguished cast of international museum directors and curators offer advice and tips.
Reviews / Votes
'A thorough and authoritative guide that will fulfill the needs of even the most demanding reader' - Artbookreview.wordpress.netMore details
Language
English
Place of publication
London
United Kingdom
Target group
Professional and scholarly
Dimensions
Height: 210 mm
Width: 140 mm
Weight
600 gr
ISBN-13
978-0-500-23928-5 (9780500239285)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
New editions

Book
10/2024
Thames & Hudson Ltd
€25.50
Available immediately
Person
Adrian George is Deputy Director and Senior Curator at the UK Government Art Collection in London. A graduate of the Royal College of Art MA in Curatorial Practice, he has held curatorial posts
at Tate Liverpool, Tate Modern, London, and the New Museum of Contemporary Art, New York.
at Tate Liverpool, Tate Modern, London, and the New Museum of Contemporary Art, New York.
Content
Introduction * 1. Starting Off * 2. From Idea to Reality * 3. Pitching * 4. Budgets and Fundraising * 5. Negotiating * 6. Exhibition Publications & Merchandise * 7. Putting a Show Together * 8. The Weeks Before the Opening * 9. Installation * 10. The Days before Opening and the Opening Day * 11. The Press Opening and Private View * 12. During - and after - the exhibition