
Cocktails with George and Martha
Richard Burton, Elizabeth Taylor, and the making of 'Who's Afraid of Virginia Woolf?'
Philip Gefter(Author)
Bonnier Books Ltd (Publisher)
Published on 14. November 2024
Book
Paperback/Softback
304 pages
978-1-80418-676-3 (ISBN)
Description
'Well-researched ... I was fascinated' Roger Lewis, author of Erotic Vagrancy
A NEW YORK TIMES NOTABLE BOOK OF THE YEAR
From its debut in 1962, Edward Albee's Who's Afraid of Virginia Woolf? was a wild success and a cultural lightning rod. The play transpires over one long, boozy night, laying bare the lies, compromises, and scalding love that have sustained a middle-aged couple through decades of marriage. It scandalised critics but magnetised audiences.
Then, Hollywood took a colossal gamble on Albee's sophisticated play and won. Co-starring Elizabeth Taylor and Richard Burton, the sensational 1966 film won five Oscars. How this scorching play became a movie classic-surviving censorship attempts, its creators' inexperience, and its stars' own tumultuous marriage, is one of the most riveting stories in all of cinema.
Acclaimed author Philip Gefter traces Woolf from its hushed origins in Greenwich Village, through its tormented production process, to its explosion onto screens and permanent place in the canon of cinematic marriages. He explores how two couples - one fictional, one all too real - brought to light our most deeply held myths about relationships, sex, family, and, against all odds, love.
A NEW YORK TIMES NOTABLE BOOK OF THE YEAR
From its debut in 1962, Edward Albee's Who's Afraid of Virginia Woolf? was a wild success and a cultural lightning rod. The play transpires over one long, boozy night, laying bare the lies, compromises, and scalding love that have sustained a middle-aged couple through decades of marriage. It scandalised critics but magnetised audiences.
Then, Hollywood took a colossal gamble on Albee's sophisticated play and won. Co-starring Elizabeth Taylor and Richard Burton, the sensational 1966 film won five Oscars. How this scorching play became a movie classic-surviving censorship attempts, its creators' inexperience, and its stars' own tumultuous marriage, is one of the most riveting stories in all of cinema.
Acclaimed author Philip Gefter traces Woolf from its hushed origins in Greenwich Village, through its tormented production process, to its explosion onto screens and permanent place in the canon of cinematic marriages. He explores how two couples - one fictional, one all too real - brought to light our most deeply held myths about relationships, sex, family, and, against all odds, love.
Reviews / Votes
'Well-researched ... I was fascinated' -- Roger Lewis * Daily Mail * 'A penetrating examination of a bold film' * Kirkus Reviews * 'Terrific! With a dynamically deft touch, Philip Gefter chronicles how a uniquely volatile mix of timing, talent, pressure, and passion turned a landscape-altering play into a cinematic detonation. Savour this juicy bit of time travel, because we'll never see the likes of these people and these circumstances again' -- Steven Soderbergh 'Deftly blends social history, textual analysis, and Hollywood gossip' * The New Yorker * '... vividly captures the realities of marriage, onscreen and off, taking the reader into the fraught fictional world of Who's Afraid of Virginia Woolf? as well as its stars' famously passionate and volatile relationship' -- Kate Andersen Brower * author of Elizabeth Taylor: The grit and glamour of an icon *More details
Language
English
Place of publication
Chichester
United Kingdom
Dimensions
Height: 198 mm
Width: 128 mm
Thickness: 24 mm
Weight
260 gr
ISBN-13
978-1-80418-676-3 (9781804186763)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
Philip Gefter is the author of What Becomes a Legend Most: The Biography of Richard Avedon; Wagstaff: Before and After Mapplethorpe, which received the 2014 Marfield Prize for arts writing; and an essay collection, Photography After Frank. He is a regular contributor to the New Yorker, Aperture, and the New York Times, where he was an editor and photography critic for over fifteen years. He also served as a producer on the award-winning documentary, Bill Cunningham: New York. He lives in New York City.