
Fashion Installation
Body, Space, and Performance
Bloomsbury Visual Arts (Publisher)
Published on 13. June 2019
Book
Paperback/Softback
144 pages
978-1-350-03252-1 (ISBN)
Description
Gone are the days when fashion relied on a runway launch with coinciding press promotions to show a couturier's new range. Today, design houses are thinking beyond traditional methods of display to stimulate interest in their collections, such as to the internet, fashion film and, more recently, fashion installations. This book offers a critical evaluation of the changing ways in which fashion has been exhibited, focusing specifically on the recent turn toward installation, whether in the form of static presentations, interactive performances or the more conventional curated designer exhibition.
Connecting viewers - and consumers - on an immersive level, the fashion world has begun to appropriate installation methods traditionally associated with displays of experimental art, transcending the runway system and its constraints. This book turns to the designers who have pioneered fashion installations, such as Aitor Throup, Muccia Prada, Walter Van Beirendonck and Hussein Chalayan among others, and also looks back to the early influential fashion displays by designers such as Worth and Poiret to provide historical context.
Divided into three parts, and covering a variety of installations from Vivienne Westwood's fashioned 'concept' stores to Gareth Pugh's immersive films, this ground-breaking book positions the designer as the curator and exhibition-maker and offers the first focused study of the pertinent concept of fashion installation.
Connecting viewers - and consumers - on an immersive level, the fashion world has begun to appropriate installation methods traditionally associated with displays of experimental art, transcending the runway system and its constraints. This book turns to the designers who have pioneered fashion installations, such as Aitor Throup, Muccia Prada, Walter Van Beirendonck and Hussein Chalayan among others, and also looks back to the early influential fashion displays by designers such as Worth and Poiret to provide historical context.
Divided into three parts, and covering a variety of installations from Vivienne Westwood's fashioned 'concept' stores to Gareth Pugh's immersive films, this ground-breaking book positions the designer as the curator and exhibition-maker and offers the first focused study of the pertinent concept of fashion installation.
Reviews / Votes
Connects seamlessly to the quality of [the authors'] previous and meritorious research ... [A] comprehensive overview of the history of fashion presentation as installation. * The Journal of Dress History *More details
Language
English
Place of publication
London
United Kingdom
Publishing group
Bloomsbury Publishing PLC
Product notice
Paperback (trade)
Illustrations
22 bw illus
Dimensions
Height: 216 mm
Width: 169 mm
Thickness: 12 mm
Weight
318 gr
ISBN-13
978-1-350-03252-1 (9781350032521)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

E-Book
06/2019
1st Edition
Bloomsbury Visual Arts
€25.49
Available for download

E-Book
06/2019
1st Edition
Bloomsbury Visual Arts
€25.49
Available for download
Persons
Adam Geczy is an artist and writer, and teaches at Sydney College of the Arts, the University of Sydney, Australia.
Vicki Karaminas is Professor of Fashion and Director of Doctoral Studies in the School of Design, College of Creative Arts, Massey University, New Zealand.
Vicki Karaminas is Professor of Fashion and Director of Doctoral Studies in the School of Design, College of Creative Arts, Massey University, New Zealand.
Author
University of Sydney, Australia
Massey University, Wellington, New Zealand
Content
List of Illustrations
Introduction: Installing Fashion
1: Body: Mise en Scene
2: Fashion (Almost) Without Bodies
3: Body-in-Space and the Gesamtkunstwerk
Conclusion: Fashion is a (Dis)Embodied Practice, or the Persistence of Perfume
Bibliography
Index
Introduction: Installing Fashion
1: Body: Mise en Scene
2: Fashion (Almost) Without Bodies
3: Body-in-Space and the Gesamtkunstwerk
Conclusion: Fashion is a (Dis)Embodied Practice, or the Persistence of Perfume
Bibliography
Index