
Freak Inheritance
Eugenics and Extraordinary Bodies in Performance
Oxford University Press Inc
Published on 23. June 2024
Book
Hardback
348 pages
978-0-19-769112-0 (ISBN)
Description
The long-awaited follow-up to Garland-Thomson's field-defining book Freakery, Freak Inheritance illuminates the convergence of the freak show era with the eugenics era, explicating the cultural work of the freak show as a compelling range of performances of cultural and social Others that emerge as eugenic targets from the late 19th century into the 20th century and beyond.
This book explores the wildly popular performances that told compelling stories about categories of people that scientific and social-scientific discourses increasingly described - and sometimes still describe - as biologically inferior. Although much work has emerged recently about the history of eugenics, this collection highlights the specific ways that modes of exaggerated commercial popular performances create a public conversation that mirrors pathological narratives of human difference that are now firmly established as the categories of normal and abnormal, healthy and diseased, beneficial and harmful. This connection between narratives of freakery and normalcy gesture towards a fuller understanding of how eugenic thinking has re-emerged strongly as a force in medical science and cultural thinking aimed at producing the supposed "best" and "most useful" kinds of people.
This book explores the wildly popular performances that told compelling stories about categories of people that scientific and social-scientific discourses increasingly described - and sometimes still describe - as biologically inferior. Although much work has emerged recently about the history of eugenics, this collection highlights the specific ways that modes of exaggerated commercial popular performances create a public conversation that mirrors pathological narratives of human difference that are now firmly established as the categories of normal and abnormal, healthy and diseased, beneficial and harmful. This connection between narratives of freakery and normalcy gesture towards a fuller understanding of how eugenic thinking has re-emerged strongly as a force in medical science and cultural thinking aimed at producing the supposed "best" and "most useful" kinds of people.
More details
Language
English
Place of publication
New York
United States
Target group
College/higher education
Illustrations
47 b&w halftones
Dimensions
Height: 235 mm
Width: 156 mm
Weight
621 gr
ISBN-13
978-0-19-769112-0 (9780197691120)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

Rosemarie Garland-Thomson | Michael Mark Chemers | Analola Santana
Freak Inheritance
Eugenics and Extraordinary Bodies in Performance
Book
09/2024
Oxford University Press Inc
€35.50
Shipment within 15-20 days

Rosemarie Garland-Thomson | Michael Mark Chemers | Analola Santana
Freak Inheritance
Eugenics and Extraordinary Bodies in Performance
E-Book
08/2024
OUP eBook
€24.99
Available for download

Rosemarie Garland-Thomson | Michael Mark Chemers | Analola Santana
Freak Inheritance
Eugenics and Extraordinary Bodies in Performance
E-Book
08/2024
OUP eBook
€24.99
Available for download
Persons
Rosemarie Garland-Thomson is Professor Emerita at Emory University.
Michael Mark Chemers is Professor and Chair, Department of Performance, Play and Design, at the University of California, Santa Cruz.
Analola Santana is Associate Professor, Department of Theatre, Dartmouth College.
Michael Mark Chemers is Professor and Chair, Department of Performance, Play and Design, at the University of California, Santa Cruz.
Analola Santana is Associate Professor, Department of Theatre, Dartmouth College.
Editor
Play and Design, at the University of California, University of California, Santa CruzPlay and Design, at the University of California, University of California, Santa Cruz
Associate Professor, Department of TheatreAssociate Professor, Department of Theatre, Dartmouth College
Content
FOREWORD by Jeffrey Jerome Cohen
INTRODUCTION:
INTRODUCTION: