Earthly Signs
Moscow Diaries, 1917-1922
Published on 5. December 2017
Book
Paperback/Softback
280 pages
978-1-68137-162-7 (ISBN)
Description
A moving collection of autobiographical essays from a Russian poet and refugee of the Bolshevik Revolution.
Marina Tsvetaeva ranks with Anna Akhmatova, Osip Mandelstam, and Boris Pasternak as one of Russia's greatest twentieth-century poets. Her suicide at the age of forty-eight was the tragic culmination of a life buffeted by political upheaval. The essays collected in this volume are based on diaries she kept during the turbulent years of the Revolution and Civil War. In them she records conversations of women in the markets, soldiers and peasants on the train traveling from the Crimea to Moscow in October 1917, fighting in the streets of Moscow, a frantic scramble with co-workers to dig frozen potatoes out of a cellar, and poetry readings organized by a newly minted Soviet bohemia. Alone in Moscow with two small children, no income, and a missing husband, Tsvetaeva struggled to feed her daughters (one of whom died of malnutrition in an orphanage), find employment in the Soviet bureaucracy, and keep writing poetry. Her keen and ruthless eye observes with compassion and humor-bringing the social, economic, and cultural chaos of the period to life. These autobiographical writings not only give a vivid eyewitness account of Russian history but provide vital insights into the workings of Tsvetaeva's unique poetics.
Includes black and white photographs.
Marina Tsvetaeva ranks with Anna Akhmatova, Osip Mandelstam, and Boris Pasternak as one of Russia's greatest twentieth-century poets. Her suicide at the age of forty-eight was the tragic culmination of a life buffeted by political upheaval. The essays collected in this volume are based on diaries she kept during the turbulent years of the Revolution and Civil War. In them she records conversations of women in the markets, soldiers and peasants on the train traveling from the Crimea to Moscow in October 1917, fighting in the streets of Moscow, a frantic scramble with co-workers to dig frozen potatoes out of a cellar, and poetry readings organized by a newly minted Soviet bohemia. Alone in Moscow with two small children, no income, and a missing husband, Tsvetaeva struggled to feed her daughters (one of whom died of malnutrition in an orphanage), find employment in the Soviet bureaucracy, and keep writing poetry. Her keen and ruthless eye observes with compassion and humor-bringing the social, economic, and cultural chaos of the period to life. These autobiographical writings not only give a vivid eyewitness account of Russian history but provide vital insights into the workings of Tsvetaeva's unique poetics.
Includes black and white photographs.
More details
Edition
Main
Language
English
Place of publication
New York
United States
Product notice
Paperback (trade)
Unsewn / adhesive bound
Dimensions
Height: 196 mm
Width: 130 mm
Thickness: 20 mm
Weight
312 gr
ISBN-13
978-1-68137-162-7 (9781681371627)
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Schweitzer Classification
Other editions
Additional editions
E-Book
12/2017
NYRB Classics
€16.49
Available for download
Persons
Marina Tsvetaeva (1892–1941), whose father was a classicist and whose mother was a pianist, was born in Moscow and published her first book of poems at seventeen.Tsvetaeva left Russia in 1922 with her two children and her husband, Sergei Efron, who fought against the Red Army in the 1918–1921 Civil War but was later to become a Soviet spy. Often living from hand to mouth, the family remained abroad until 1939. Two years later, after the execution of her husband and the arrest of her daughter, Tsvetaeva committed suicide. Along with numerous lyrics, her works include several extraordinary long poems, among them The Poem of the End, The Poem of the Mountain, and The Ratcatcher.
Jamey Gambrell is a writer on Russian art and culture. Her translations include Vladimir Sorokin’s Day of the Oprichnik, The Blizzard, and, for NYRB Classics, Ice Trilogy. She has also translated a volume of Aleksandr Rodchenko’s writings, Experiments for the Future, and Tatyana Tolstaya’s novel, The Slynx. In 2016, she was awarded the Thornton Wilder Prize for Translation from the American Academy of Arts and Letters.
Jamey Gambrell is a writer on Russian art and culture. Her translations include Vladimir Sorokin’s Day of the Oprichnik, The Blizzard, and, for NYRB Classics, Ice Trilogy. She has also translated a volume of Aleksandr Rodchenko’s writings, Experiments for the Future, and Tatyana Tolstaya’s novel, The Slynx. In 2016, she was awarded the Thornton Wilder Prize for Translation from the American Academy of Arts and Letters.