Life Dances On
Robert Frank in Dialogue
Published on 9. October 2024
Book
Hardback
192 pages
978-1-63345-164-3 (ISBN)
Description
"An in-depth exploration of the last six decades of work from the iconic photographer and filmmaker, with a special focus on his ceaseless experimentation and artistic collaborations."--Provided by publisher.
More details
Language
English
Place of publication
New York
United States
Illustrations
150 Illustrations
Dimensions
Height: 274 mm
Width: 239 mm
Thickness: 22 mm
Weight
1318 gr
ISBN-13
978-1-63345-164-3 (9781633451643)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
Lucy Gallun is a Curator in the Department of Photography at The Museum of Modern Art, New York.
Kaitlin Booher is a Newhall Curatorial Fellow and curatorial assistant in the Department of Photography, MoMA.
Sarah Greenough is Senior Curator and Head of the Department of Photographs at the National Gallery of Art, Washington, DC.
Kaitlin Booher is a Newhall Curatorial Fellow and curatorial assistant in the Department of Photography, MoMA.
Sarah Greenough is Senior Curator and Head of the Department of Photographs at the National Gallery of Art, Washington, DC.
Content
Front matter
Introductory essay by Lucy Gallun (1,500 words)
Essay by Lucy Gallun (4,000 words) on the notion of place as portrait, considering Frank's relationship to the community and landscape of Cape Breton, Nova Scotia, where he moved in 1970.
Essay by Sarah Greenough (4,000 words) on Frank's letters and correspondence, and their intersection with his work.
Essay by Kaitlin Booher (3,000 words) on Frank's relationships with the group he calls the "10th Street Artists" and other related New York artist communities.
Plate section with excerpts from an oral history project
Excerpts from "Scrapbook Footage" compiled by Laura Israel, with an introduction by Josh Siegel
Introductory essay by Lucy Gallun (1,500 words)
Essay by Lucy Gallun (4,000 words) on the notion of place as portrait, considering Frank's relationship to the community and landscape of Cape Breton, Nova Scotia, where he moved in 1970.
Essay by Sarah Greenough (4,000 words) on Frank's letters and correspondence, and their intersection with his work.
Essay by Kaitlin Booher (3,000 words) on Frank's relationships with the group he calls the "10th Street Artists" and other related New York artist communities.
Plate section with excerpts from an oral history project
Excerpts from "Scrapbook Footage" compiled by Laura Israel, with an introduction by Josh Siegel