Picturing Science, Producing Art
Published on 18. June 1998
Book
Hardback
608 pages
978-0-415-91911-1 (ISBN)
Description
First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
More details
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
College/higher education
Dimensions
Height: 254 mm
Width: 178 mm
Weight
1293 gr
ISBN-13
978-0-415-91911-1 (9780415919111)
Copyright in bibliographic data is held by Nielsen Book Services Limited or its licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Peter Galison | Caroline A. Jones
Picturing Science, Producing Art
E-Book
02/2014
1st Edition
Routledge
€69.99
Available for download
Peter Galison | Caroline A. Jones
Picturing Science, Producing Art
E-Book
02/2014
1st Edition
Routledge
€69.99
Available for download
Peter Galison | Caroline A. Jones
Picturing Science, Producing Art
Book
06/1998
Routledge
€74.90
Shipment within 15-20 days
Persons
Caroline A. Jones teaches contemporary art and criticism and directs the Museum Studies Program in the Art History Department at Boston University. Her most recent exhibition is Painting Machines (1997), and her books include Machine in the Studio (1996). Peter Galison is Mallinckrodt Professor of the History of Science and of Physics at Harvard University. He is a recent recipient of a MacArthur Foundation grant; his most recent publication is Image and Logic (1997), and he is co-author of a forthcoming of a forthcoming book, Images of Objectivity.
Content
TABLE OF CONTENTS
Caroline A. Jones - Introduction
STYLES
Carlo Ginzburg - Style as Inclusion, Style as Exclusion
Irene J. Winter - The Affective Properties of Styles: An Inquiry into Analytical Process and the Inscription of Meaning in Art History
Amy Slaton - Style/Type/Standard: The Production of Technological Resemblance
THE BODY
Arnold Davidson - Miracles of Bodily Transformation, or, HOw St. Francis Recieved the Stigmata
Londa Schiebinger - Lost Knowledge, Bodies of Ignorance, and the Poverty of Taxonomy as Illustrated by the Curious Fate of Flos Pavonis, an Abortifacient
Caroline A. Jones - The Sex of the Machine: Mechanomorphic Art, New Women, and Francis Picabia's Neurasthenic Cure
Donna J. Haraway - Deanimations: Maps and Portraits of Life Itself
SEEING WONDER
Krzysztof Pomian - Vision and Cognition
Lorraine Daston - Nature by Design
Katharine Park - Impressed Images:Reproducing Wonders
David Freedberg - Iconography Between the History of Art and the History of Science: Art, Science, and the Case of the Urban Bee
Joseph Leo Koerner - Hieronymus Bosch's World Picture
OBJECTIVITY/SUBJECTIVITY
Peter Galison - Judgment Against Objectivity
Jan Goldstein - Eclectic Subjectivity and the Impossibility of Female Beauty
Joel Snyder - Visualization and Visibility
CULTURES OF VISION
Svetlana Alpers - The Studio, the Laboratory, and the Vexations of Art
Bruno Latour - How to Be Iconophilic in Art, Science, and Religion?
Simon Schaffer - On Astronomical Drawing
Jonathan Crary - Attention and Modernity in the Ninteenth Century
Caroline A. Jones - Introduction
STYLES
Carlo Ginzburg - Style as Inclusion, Style as Exclusion
Irene J. Winter - The Affective Properties of Styles: An Inquiry into Analytical Process and the Inscription of Meaning in Art History
Amy Slaton - Style/Type/Standard: The Production of Technological Resemblance
THE BODY
Arnold Davidson - Miracles of Bodily Transformation, or, HOw St. Francis Recieved the Stigmata
Londa Schiebinger - Lost Knowledge, Bodies of Ignorance, and the Poverty of Taxonomy as Illustrated by the Curious Fate of Flos Pavonis, an Abortifacient
Caroline A. Jones - The Sex of the Machine: Mechanomorphic Art, New Women, and Francis Picabia's Neurasthenic Cure
Donna J. Haraway - Deanimations: Maps and Portraits of Life Itself
SEEING WONDER
Krzysztof Pomian - Vision and Cognition
Lorraine Daston - Nature by Design
Katharine Park - Impressed Images:Reproducing Wonders
David Freedberg - Iconography Between the History of Art and the History of Science: Art, Science, and the Case of the Urban Bee
Joseph Leo Koerner - Hieronymus Bosch's World Picture
OBJECTIVITY/SUBJECTIVITY
Peter Galison - Judgment Against Objectivity
Jan Goldstein - Eclectic Subjectivity and the Impossibility of Female Beauty
Joel Snyder - Visualization and Visibility
CULTURES OF VISION
Svetlana Alpers - The Studio, the Laboratory, and the Vexations of Art
Bruno Latour - How to Be Iconophilic in Art, Science, and Religion?
Simon Schaffer - On Astronomical Drawing
Jonathan Crary - Attention and Modernity in the Ninteenth Century