Auto/Biography and Identity
Published on 1. January 2005
Book
Hardback
272 pages
978-0-7190-6332-9 (ISBN)
Description
This groundbreaking book shows how female performers - one of the first groups of professional women - used and still use autobiography and performance as both a means of expression and control of their private and public selves, the 'face and the mask'. It looks at how a range of women in the theatre - actors, managers, writers and live artists - have done this on the page and on the stage from the late eighteenth-century to the present day, testing the boundaries between gender, theatre and autobiographical form.
This paperback edition facilitates connections - between texts and performances, past and present practitioners, professional and private selves, individuals and communities, all of which have in some way renegotiated identity through autobiography and the creative act.
'Auto/biography and identity' is a landmark in theatre history and performance analysis, in gender and cultural theory, and autobiographical studies. -- .
This paperback edition facilitates connections - between texts and performances, past and present practitioners, professional and private selves, individuals and communities, all of which have in some way renegotiated identity through autobiography and the creative act.
'Auto/biography and identity' is a landmark in theatre history and performance analysis, in gender and cultural theory, and autobiographical studies. -- .
More details
Series
Language
English
Place of publication
Manchester
United Kingdom
Target group
College/higher education
Professional and scholarly
Illustrations
Illustrations, black & white
Dimensions
Height: 216 mm
Width: 138 mm
ISBN-13
978-0-7190-6332-9 (9780719063329)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
Maggie B. Gale is Professor and Chair in Drama at The University of Manchester
Maggie B. Gale is Senior Lecturer in Drama and Theatre Arts at the University of Birmingham
Viv Gardner is Professor of Theatre Studies at the University of Manchester
Maggie B. Gale is Senior Lecturer in Drama and Theatre Arts at the University of Birmingham
Viv Gardner is Professor of Theatre Studies at the University of Manchester
Content
Acknowledgements Notes on contributors Introduction - Women, theatre and performance: Auto/biography and performance - Maggie B. Gale & Viv Gardner Part 1: Telling tales: Autobiographic strategies 1. The three nobodies: Autobiographical strategies in the work of Alma Ellerslie, Kitty Marion and Ina Rozant - Viv Gardner 2. The disappearing subject in Susan Glaspell's auto/biographical theatre - Nicola Shaugnessy Imag(in)ing a life: Adrienne Kennedy's People Who Led to My Plays and Deadly Triplets - Elaine Aston Part 2: The professional/confessional self 3. The way to the world: Emma Robinson and the dilemmas of identity - Susan Croft 4. Lena Ashwell and auto/biographical negotiations of the professional self - Maggie B. Gale 5. Tilly Wedekind and Lulu: The role of her life or the role in her life? - Bella Merlin 6. Troubling identities: Claire Dowie's Why is John Lennon Wearing a Skirt? - Gabriele Griffin Part 3: Auto/biography. Identity and performance 7. Latina theatre and performance: Acts of exposure - Caridad Svich 8. Being her: presence, absence and performance in the art of Janet Cardiff and Tracy Emin - Jen Harvie 9. Peforming lesbians: Constructing the self, constructing the community - Dee Heddon 10. Re(ci)petoires of the self: Autobiographical aspects of Bobby Baker's performance works. Bobby Baker interview - Catharine Maclean Hopkins