Revisiting Unity and Diversity in Federal Countries
Changing Concepts, Reform Proposals and New Institutional Realities
Published on 20. September 2018
Book
Hardback
512 pages
978-90-04-36717-3 (ISBN)
Description
The principal aim of this book is to revisit the basic theme of "unity and diversity" that remains at the heart of research into federalism and federation. It is time to take another look at its contemporary relevance to ascertain how far the bifocal relationship between unity and diversity has evolved over the years and has been translated into changing conceptual lenses, practical reform proposals and in some cases new institutional practices. This book is structured around four main parts: (1) the evolving conception of diversity over time and across continents; (2) the interplay between unity and diversity in complex settings; (3) federalism as decision-making and new institutional practices that have been put forward and tested; and (4) constitutional design and asymmetrical federalism as a way to respond to legitimate and insisting claims and political demands.
More details
Series
Language
English
Place of publication
Netherlands
Publishing group
Brill
Target group
Professional and scholarly
Product notice
sewn/stitched
Cloth over boards
Dimensions
Height: 239 mm
Width: 160 mm
Thickness: 33 mm
Weight
816 gr
ISBN-13
978-90-04-36717-3 (9789004367173)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
Alain-G. Gagnon holds the Canada Research Chair in Quebec and Canadian Studies at the Universite du Quebec a Montreal. His books include The Case for Multinational Federalism (Routledge) and Minority Nations in the Age of Uncertainty (University of Toronto Press). He received the Trudeau Award in 2010, and obtained the Governor General's International Award for Canadian Studies in 2016. He was elected President of the Academy of Social Sciences of the Royal Society of Canada in 2017. Since 2018, he leads the /i>Centre d'analyse politique: constitution et federalisme (www.capcf.uqam.ca).
Michael Burgess has worked at the Universities of Plymouth, Keele, and Hull before joining the School of Politics and International Relations in Canterbury in 2005. At Hull he was the Director of the Centre for European Union Studies (CEUS) for a decade. He was a Professor of Federal Studies and Director of the Centre for Federal Studies (CFS) at the University of Kent. Among his publications are Comparative Federalism in Theory and Practice, In Search of the Federal Spirit. He has also co-edited with Alain-G. Gagnon Federal Democracies.
Michael Burgess has worked at the Universities of Plymouth, Keele, and Hull before joining the School of Politics and International Relations in Canterbury in 2005. At Hull he was the Director of the Centre for European Union Studies (CEUS) for a decade. He was a Professor of Federal Studies and Director of the Centre for Federal Studies (CFS) at the University of Kent. Among his publications are Comparative Federalism in Theory and Practice, In Search of the Federal Spirit. He has also co-edited with Alain-G. Gagnon Federal Democracies.
Content
1.Einleitung
1.1 Design und Disziplin
1.2 Design und Philosophie
1.3 Disegno und Design
2.Kants Entwurf der Vernunft
2.1 Transzendentale Perspektive
2.2 Zeitgestaltung des Bewusstseins
2.2.1 Drei Zeiten der Gestalt
2.2.2 Der transzendentale disegno
2.3 Dialektik von Gestalt und Gedanke
2.4 Raumzeitgestaltung des Bewusstseins
2.5 Transzendentale Linienführung und Farbgebung
2.5.1 Das quantitative Vermessen der Erscheinungswelt
2.5.2 Das qualitative Ermessen der Empfindungswelt
2.6 Ästhetische Erfahrung
2.6.1 Geistzeit der Gestaltung
2.6.2 Zeitgeist der Gestaltung
2.7 Alternative Einfachheit
2.8 Prozess des Entwurfs
2.9 Genie und Maschine
3.Moderne gestalten, moderne Gestalten
3.1 Gestaltung nach Goethe und Darwin: morphologische Evolution
3.2 Gestalten der Gestaltungsgeschichte I
3.3 Gestaltung nach Einstein: morphologische Evolution der Raumzeit
4.Heideggers Design des Daseins
4.1 Vermögen des Entwurfs
4.2 Aufwendigkeit der Moderne
4.3 Zeit als Sorge des Designs
4.3.1 Die Sorge(n) des Designs
4.3.2 Das Im-Film-sein des Daseins
4.4 Wie Man eigentlich gestaltet
4.5 Dingzeichen und Zeichendinge
5.Schluss
5.1 Gestalten der Gestaltungsgeschichte II
5.2 Rückblick
5.3 Vorausblick
Danksagungen
Quellen
Literatur
Ausstellungskataloge
Abbildungen
Personenverzeichnis
1.1 Design und Disziplin
1.2 Design und Philosophie
1.3 Disegno und Design
2.Kants Entwurf der Vernunft
2.1 Transzendentale Perspektive
2.2 Zeitgestaltung des Bewusstseins
2.2.1 Drei Zeiten der Gestalt
2.2.2 Der transzendentale disegno
2.3 Dialektik von Gestalt und Gedanke
2.4 Raumzeitgestaltung des Bewusstseins
2.5 Transzendentale Linienführung und Farbgebung
2.5.1 Das quantitative Vermessen der Erscheinungswelt
2.5.2 Das qualitative Ermessen der Empfindungswelt
2.6 Ästhetische Erfahrung
2.6.1 Geistzeit der Gestaltung
2.6.2 Zeitgeist der Gestaltung
2.7 Alternative Einfachheit
2.8 Prozess des Entwurfs
2.9 Genie und Maschine
3.Moderne gestalten, moderne Gestalten
3.1 Gestaltung nach Goethe und Darwin: morphologische Evolution
3.2 Gestalten der Gestaltungsgeschichte I
3.3 Gestaltung nach Einstein: morphologische Evolution der Raumzeit
4.Heideggers Design des Daseins
4.1 Vermögen des Entwurfs
4.2 Aufwendigkeit der Moderne
4.3 Zeit als Sorge des Designs
4.3.1 Die Sorge(n) des Designs
4.3.2 Das Im-Film-sein des Daseins
4.4 Wie Man eigentlich gestaltet
4.5 Dingzeichen und Zeichendinge
5.Schluss
5.1 Gestalten der Gestaltungsgeschichte II
5.2 Rückblick
5.3 Vorausblick
Danksagungen
Quellen
Literatur
Ausstellungskataloge
Abbildungen
Personenverzeichnis