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Reviews / Votes

For all her experimentation, Fuad is anchored to the complexities of her Iraqi Kurdish heritage, even as gentrification changes the region. . . . The submergence of identity richly complicates this poet's promising debut. * Booklist * The poems bare the authoritative structures that control or muzzle identity, language, and borders. Fuad's writing is elegant and active, firmly asserting her own powers of expression, a voice that is resilient, exciting, and one we'll be reading in years to come. * Chicago Review of Books * Like Venn diagrams, these poems overlap the poet's Kurdish positionality with cyberfeminist codes, seeking possible relations and pathways of communication. Half-written sentences, abandoned thoughts, stutters, and impenetrable utterances exist alongside detailed and astute observances, plaintive statements of loneliness, joy, or frustration. Like the course of a life, not every moment in this innovative collection yields to its reader; but about:blank's collective force trembles with formal brilliance and originality. -- Claudia Rankine, Donald Hall Prize for Poetry judge Tracy Fuad has an overflowing, overwhelming gift, and to receive it is to perceive, in glimmers, a faraway song sung intimate, a difficult place made home. As far as this poet travels, her heart ventures ever further, like a stone skipped for the reader to glimpse what depths and thirsts lie ahead. about:blank is part love letter, part letter to the editor of this warring and scarred world-the poet's tether to it a braid of desire, devotion, abjection. This book will travel with me, as love travels a soul, always finding some new way to be. -- Brenda Shaughnessy, author of The Octopus Museum Tracy Fuad's about: blank powerfully explores languages driven to the margins by our inexorable march towards progress. She chronicles the Kurdish ruins that evidence occupation or the evolution of words like buttons that can describe the domestic to weapons of mass destruction. She elegizes the exile of our sentient bodies in this anthropocene era of digital capitalism. Her monostix lines are glitchy content streams, haunting as they are present, deadly funny as they are deadly serious. Fuad's poetry is absolutely unsettling and breathtaking. * Cathy Park Hong, author of Minor Feelings: An Asian American Reckoning *