
Ashmolean NOW: Pio Abad
Ashmolean Museum (Publisher)
Published on 8. February 2024
Book
Paperback/Softback
122 pages
978-1-910807-60-6 (ISBN)
Description
Pio Abad's artistic practice is concerned with the personal and political entanglements of objects. His wide-ranging body of work, encompassing drawing, painting, textiles, installation and text, mines alternative or repressed historical events and offers counternarratives that draw out threads of complicity between incidents, ideologies and people. Deeply informed by unfolding events in the Philippines, where the artist was born and raised, his work emanates from a family narrative woven into the nation's story. Abad's parents were at the forefront of the anti-dictatorship struggle in the Philippines during the 1970s and 80s and it is the need to remember this history that has shaped the foundations of his work.
This beautifully designed book accompanies the Ashmolean Museum's second exhibition of its new Ashmolean NOW series, featuring the work of Pio Abad. Abad's artistic practice is concerned with the personal and political entanglements of objects. His wide-ranging body of work, which includes drawing, painting, installation, textiles and text, mines alternative or repressed historical events, offering counternarratives. Abad's new works link narratives found in the Museum's collections and Oxford with his personal life in the UK and Philippines, where the artist was born and raised. The book features a new text by Abad and contributions by art historical experts including Dan Hicks.
This beautifully designed book accompanies the Ashmolean Museum's second exhibition of its new Ashmolean NOW series, featuring the work of Pio Abad. Abad's artistic practice is concerned with the personal and political entanglements of objects. His wide-ranging body of work, which includes drawing, painting, installation, textiles and text, mines alternative or repressed historical events, offering counternarratives. Abad's new works link narratives found in the Museum's collections and Oxford with his personal life in the UK and Philippines, where the artist was born and raised. The book features a new text by Abad and contributions by art historical experts including Dan Hicks.
Reviews / Votes
Pio Abad exhibition (and catalogue) has been shortlisted for this year's Turner Prize: "Nominated for his solo exhibition To Those Sitting in Darkness at the Ashmolean Museum, Oxford. Abad's work considers cultural loss and colonial histories, often reflecting on his upbringing in the Philippines. His exhibition includes drawing, etchings and sculptures which depict, juxtapose and transform artefacts from Oxford museums, highlighting their overlooked histories and drawing parallels with familiar household items. The jury commended the precision and elegance with which Abad combines research with new artistic work to ask questions of museums. They also remarked on both the sensitivity and clarity with which he brings history into the present." - TateMore details
Series
Language
English
Place of publication
Oxford
United Kingdom
Product notice
Paperback (trade)
Unsewn / adhesive bound
Illustrations
4 Illustrations, black and white; 100 Illustrations, color
Dimensions
Height: 275 mm
Width: 215 mm
Thickness: 12 mm
Weight
618 gr
ISBN-13
978-1-910807-60-6 (9781910807606)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
Pio Abad (b. 1983, Manila, lives and works in London) began his art studies at the University of the Philippines before receiving a BA from Glasgow School of Art and an MA from the Royal Academy Schools, London. He has exhibited at Centre for Contemporary Arts Glasgow; Gasworks, London; Whitechapel Gallery, London; Mackintosh Museum, Glasgow; EVA International Biennial, Limerick; Kadist, Paris; e-flux, New York City; Asia Art Archive, Hong Kong; Para Site, Hong Kong; 4A Centre for Contemporary Asian Art, Sydney; and the Museum of Contemporary Art and Design (MCAD) Manila.
Content
17 DIRECTOR'S FOREWORD
Xa Sturgis
19 TRACING LOSS AND CONNECTING LINES
THOUGHTS ON PIO ABAD'S DRAWINGS
Lena Fritsch
33 TO THOSE SITTING IN DARKNESS
Pio Abad
93 HIDING IN PLAIN SIGHT
PIO ABAD AND BRINGING TO LIGHT DARK HISTORIES
Vera Mey
100 NOTES
101 ACKNOWLEDGEMENTS
101 IMAGE CREDITS
Xa Sturgis
19 TRACING LOSS AND CONNECTING LINES
THOUGHTS ON PIO ABAD'S DRAWINGS
Lena Fritsch
33 TO THOSE SITTING IN DARKNESS
Pio Abad
93 HIDING IN PLAIN SIGHT
PIO ABAD AND BRINGING TO LIGHT DARK HISTORIES
Vera Mey
100 NOTES
101 ACKNOWLEDGEMENTS
101 IMAGE CREDITS