Contemporary Revolutions
Turning Back to the Future in 21st-Century Literature and Art
Published on 4. October 2018
Book
Hardback
264 pages
978-1-350-04529-3 (ISBN)
Description
Returning to revolution's original meaning of 'cycle', Contemporary Revolutions explores how 21st-century writers, artists, and performers re-engage the arts of the past to reimagine a present and future encompassing revolutionary commitments to justice and freedom. Dealing with histories of colonialism, slavery, genocide, civil war, and gender and class inequities, essays examine literature and arts of Africa, Europe, the Middle East, the Pacific Islands, and the United States.
The broad range of contemporary writers and artists considered include fabric artist Ellen Bell; poets Selena Tusitala Marsh and Antje Krog; Syrian artists of the civil war and Sana Yazigi's creative memory web site about the war; street artist Bahia Shehab; theatre installation artist William Kentridge; and the recycles of Virginia Woolf by multi-media artist Kabe Wilson, novelist W. G. Sebald, and the contemporary trans movement.
The broad range of contemporary writers and artists considered include fabric artist Ellen Bell; poets Selena Tusitala Marsh and Antje Krog; Syrian artists of the civil war and Sana Yazigi's creative memory web site about the war; street artist Bahia Shehab; theatre installation artist William Kentridge; and the recycles of Virginia Woolf by multi-media artist Kabe Wilson, novelist W. G. Sebald, and the contemporary trans movement.
More details
Language
English
Place of publication
London
United Kingdom
Publishing group
Bloomsbury Publishing PLC
Target group
College/higher education
Illustrations
12 bw illus
Dimensions
Height: 234 mm
Width: 156 mm
Weight
540 gr
ISBN-13
978-1-350-04529-3 (9781350045293)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Susan Stanford Friedman
Contemporary Revolutions
Turning Back to the Future in 21st-Century Literature and Art
E-Book
10/2018
1st Edition
Bloomsbury Academic
€37.49
Available for download
Person
Susan Stanford Friedman is Hilldale Professor of the Humanities and the Virginia Woolf Professor of English and Women's Studies at the University of Wisconsin-Madison, USA. Her recent books include Planetary Modernisms: Provocations on Modernity Across Time and Comparison: Theories, Approaches, Uses (with Rita Felski). Her work has been translated into ten languages.
Content
List of Figures
Notes on Contributors
Beginnings
Introduction: "The Past in the Present: Temporalities of the Contemporary"
Susan Stanford Friedman, University of Wisconsin-Madison, USA
Chapter 1: "Recycling Revolution: Re-mixing A Room of One's Own and Black Power in
Kabe Wilson's Performance, Installation, and Narrative Art"
Susan Stanford Friedman, University of Wisconsin-Madison, USA
Recycles: Aesthetics of Unsewing and Blacking Out
Chapter 2: "Stitch Works: Ellen Bell's Unpicking Aesthetics and Victorian Women's
Creative Labor"
Susan David Bernstein, Boston University, USA
Chapter 3: "Make It Niu: Blacking Out of Albert Wendt's Pouliuli the Tusitala Way"
Selina Tusitala Marsh, University of Auckland, New Zealand
Revolutions: Arts of Resistance
Chapter 4: "Curating the Syrian Revolution Online"
miriam cooke, Duke University, USA
Chapter 5: "A Thousand Times No!: Spray Painting as Resistance and the Visual History of
the Lam-Alif"
Bahia Shehab, American University of Cairo, Egypt
Restages: Palimpsests of the Past
Chapter 6: "The Folds of History in William Kentridge's Black Box Theatre: Sampling
German Nazism and Colonialism"
Rosemarie Buikema, Utrecht University, The Netherlands
Chapter 7: "The Revolutions of Antjie Krog's Lady Anne: A Chronicle in Verse."
Rita Barnard, University of Pennsylvania, USA
Rereads: Then, Now
Chapter 8: "Repair Work, Despair Work: W. G. Sebald's Contending Modernisms"
Elizabeth Abel, University of California, Berkeley, USA
Chapter 9: "On Rereading Woolf's Orlando as Transgender Text"
Margaret Homans, Yale University, USA
Index
Notes on Contributors
Beginnings
Introduction: "The Past in the Present: Temporalities of the Contemporary"
Susan Stanford Friedman, University of Wisconsin-Madison, USA
Chapter 1: "Recycling Revolution: Re-mixing A Room of One's Own and Black Power in
Kabe Wilson's Performance, Installation, and Narrative Art"
Susan Stanford Friedman, University of Wisconsin-Madison, USA
Recycles: Aesthetics of Unsewing and Blacking Out
Chapter 2: "Stitch Works: Ellen Bell's Unpicking Aesthetics and Victorian Women's
Creative Labor"
Susan David Bernstein, Boston University, USA
Chapter 3: "Make It Niu: Blacking Out of Albert Wendt's Pouliuli the Tusitala Way"
Selina Tusitala Marsh, University of Auckland, New Zealand
Revolutions: Arts of Resistance
Chapter 4: "Curating the Syrian Revolution Online"
miriam cooke, Duke University, USA
Chapter 5: "A Thousand Times No!: Spray Painting as Resistance and the Visual History of
the Lam-Alif"
Bahia Shehab, American University of Cairo, Egypt
Restages: Palimpsests of the Past
Chapter 6: "The Folds of History in William Kentridge's Black Box Theatre: Sampling
German Nazism and Colonialism"
Rosemarie Buikema, Utrecht University, The Netherlands
Chapter 7: "The Revolutions of Antjie Krog's Lady Anne: A Chronicle in Verse."
Rita Barnard, University of Pennsylvania, USA
Rereads: Then, Now
Chapter 8: "Repair Work, Despair Work: W. G. Sebald's Contending Modernisms"
Elizabeth Abel, University of California, Berkeley, USA
Chapter 9: "On Rereading Woolf's Orlando as Transgender Text"
Margaret Homans, Yale University, USA
Index