
The Jewish Decadence
Jews and the Aesthetics of Modernity
Jonathan Freedman(Author)
University of Chicago Press
Published on 19. April 2021
Book
Hardback
304 pages
978-0-226-58092-0 (ISBN)
Description
As Jewish writers, artists, and intellectuals made their way into Western European and Anglo-American cultural centers, they encountered a society obsessed with decadence. An avant-garde movement characterized by self-consciously artificial art and literature, philosophic pessimism, and an interest in nonnormative sexualities, decadence was also a smear, whereby Jews were viewed as the source of social and cultural decline. In The Jewish Decadence, Jonathan Freedman argues that Jewish engagement with decadence played a major role in the emergence of modernism and the making of Jewish culture from the 1870s to the present.
The first to tell this sweeping story, Freedman demonstrates the centrality of decadence to the aesthetics of modernity and its inextricability from Jewishness. Freedman recounts a series of diverse and surprising episodes that he insists do not belong solely to the past, but instead reveal that the identification of Jewishness with decadence persists today.
The first to tell this sweeping story, Freedman demonstrates the centrality of decadence to the aesthetics of modernity and its inextricability from Jewishness. Freedman recounts a series of diverse and surprising episodes that he insists do not belong solely to the past, but instead reveal that the identification of Jewishness with decadence persists today.
Reviews / Votes
"It is chock-full of exciting and provocative ideas, but it is also just plain fun - something akin to Freedman leading the reader by the hand on a tour of a cultural landscape that he knows like the back of his hand." * Los Angeles Review of Books * "This is a profoundly important book in Jewish Studies, as well as among the cultural and literary criticism of its artistic subject." * Religion and the Arts * "Erudite, gossipy, nuanced, funny, and moving. . . Freedman serves as collector culling materials from a wide array of sources, arranging them into an often dizzying but unfailingly interesting and almost always entirely persuasive account that supports his thesis, each time from a different direction." * Victorian Studies * "This is a breezy, entertaining, surprising book about the Jewish involvement in fin de siecle culture. . . . Freedman makes the important point that Jews were viewed as personifying as well as purveying the tainted dainties of the decadent imagination. Well and sometimes startlingly illustrated, this is indeed a labor of love by an author with encyclopedic knowledge. . . Gossipy, anecdotal and fun, the book is as full of goodies as a Christmas fruitcake." * 96th of October * "Overall, The Jewish Decadence is a richly rewarding read, blending deep knowledge, provocative insight and unsparing honesty to the role Jews have played in fin-de-siecle culture of Europe and the USA. Barely a page goes by with an insight into cultural production and consumption and unexpected links between creators, places and ideas. This book will be of value to anyone wishing to under early Modernism and Jewish contribution to vanguard art." -- alexanderadamsart: Reviews of art, culture and literature "Freedman's argument, that Jewish novelists, poets, actors, and philosophers reworked thediscourse of decadence, which often linked Jewishness to decline, to their own ends in order
to generate a Jewish response to the conditions of modernity, is compelling. More importantly,
it offers a model of how work on afterlives and transnational circulation can avoid the trap of
thinking in terms of unidirectional influence and attend to the agency and creativity of those
influenced." * Journal of British Studies * "Freedman reconceives of Jews as architects rather than victims of modernity. Although Jews were often demonized as sexual and artistic deviants, they also entered into dialogue with their detractors by contesting or reshaping the prejudices of the day. Most important, Jews played a central role in European culture as artists, critics, sponsors, networkers, and entrepreneurs; throughout the book, Freedman spots Jews where none have been discerned before, testifying to their ubiquity among the avant-garde." -- Maud Ellman, University of Chicago "This book takes us on an extraordinary journey through what the author calls 'something like modernity,' as it is to be found in dance, literature, song, painting, theatre, film, and history. Decadence turns out to mean what it seems to mean, and an almost unimaginable range of other things as well. Its richness, as well as its constant entanglement in ideas of Jewishness, would have caused any other writer either to simplify or get lost, but Freedman wittily and resolutely does neither. His book is 'example-drunk,' as he says, but it doesn't stumble. It celebrates complication and reflection and masquerade, and we find ourselves wishing the show-the one he is evoking and the one to be seen in the fabulous evocation itself-would never end." -- Michael Wood, Princeton University Bringing his capacious cultural expertise and scholarly rigor to a wide-ranging exploration of the association between Jews and decline and degeneracy, Jonathan Freedman performs an erudite, original, and wonderfully chutzpadik act of reclamation. -- Alisa Solomon, Columbia University "A book that transforms our experiences of familiar works and encourages us to carry on the work of Jewish cultural studies, following the example of one of its most gifted practitioners." * Reading Religion *
More details
Language
English
Place of publication
Chicago
United States
Publishing group
The University of Chicago Press
Target group
Professional and scholarly
Illustrations
41 halftones
Dimensions
Height: 229 mm
Width: 152 mm
Thickness: 23 mm
Weight
567 gr
ISBN-13
978-0-226-58092-0 (9780226580920)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
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E-Book
04/2021
1st Edition
University of Chicago Press
from
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Available for download
Person
Jonathan Freedman is the Marvin Felheim Collegiate Professor of English, American Studies, and Judaic Studies at the University of Michigan. He is the author of Professions of Taste: Henry James, British Aestheticism, and Commodity Culture; The Temple of Culture: Assimilation, Anti-Semitism, and the Making of Literary Anglo-America; and Klezmer America: Jewishness, Ethnicity, Modernity.
Content
Preface, by Daniel Hack and Amy Hungerford
Introduction: "Our Two-Step Is the Modern Decadence!"
1 Qu'est-ce que c'est la decadence? And What Does It Have to Do with Jews?
2 Oscar Wilde among the Jews
3 Salomania and the Remaking of the Jewish Female Body from Sarah Bernhardt to Betty Boop
4 Coming Out of the Jewish Closet with Marcel Proust
5 Pessimism, Jewish Style: Jews Reading Schopenhauer from Freud to Bellow
6 Walter Benjamin's Paris, Capital of Jewish Aesthetic Modernity
7 Dybbuks, Vampires, and Other Fin-de-Siecle Jewish Phantasms
Conclusion: The Deca-danse; or, The Afterlife of the Jewish Decadent
Notes
Index
Introduction: "Our Two-Step Is the Modern Decadence!"
1 Qu'est-ce que c'est la decadence? And What Does It Have to Do with Jews?
2 Oscar Wilde among the Jews
3 Salomania and the Remaking of the Jewish Female Body from Sarah Bernhardt to Betty Boop
4 Coming Out of the Jewish Closet with Marcel Proust
5 Pessimism, Jewish Style: Jews Reading Schopenhauer from Freud to Bellow
6 Walter Benjamin's Paris, Capital of Jewish Aesthetic Modernity
7 Dybbuks, Vampires, and Other Fin-de-Siecle Jewish Phantasms
Conclusion: The Deca-danse; or, The Afterlife of the Jewish Decadent
Notes
Index