
Chapels of the Cinquecento and Seicento in the Churches of Rome
Form, Function, Meaning
Officina Libraria (Publisher)
Published on 26. March 2020
Book
Paperback/Softback
272 pages
978-88-99765-93-4 (ISBN)
Description
"Seldom does a collection of art history essays leave readers yearning for a second volume..."-Barbara Wisch, Renaissance Quarterly
Roman church interiors throughout the Early Modern age were endowed with rich historical and visual significance. During the sixteenth and seventeenth centuries, in anticipation of and following the Council of Trent, and in response to the expansion of the Roman Curia, the chapel became a singular arena in which wealthy and powerful Roman families, as well as middle-class citizens, had the opportunity to demonstrate their status and role in Roman society. In most cases the chapels were conceived not as isolated spaces, but as part of a more complex system, which involved the nave and the other chapels within the church, in a dialogue among the arts and the patrons of those other spaces. This volume explores this historical and artistic phenomenon through a number of examples involving the patronage of prominent Roman families such as the Chigis, Spadas, Caetanis, Cybos and important artists and architects such as Federico Zuccari, Giacomo della Porta, Carlo Maderno, Alessandro Algardi, Pietro da Cortona, Carlo Maratta.
Roman church interiors throughout the Early Modern age were endowed with rich historical and visual significance. During the sixteenth and seventeenth centuries, in anticipation of and following the Council of Trent, and in response to the expansion of the Roman Curia, the chapel became a singular arena in which wealthy and powerful Roman families, as well as middle-class citizens, had the opportunity to demonstrate their status and role in Roman society. In most cases the chapels were conceived not as isolated spaces, but as part of a more complex system, which involved the nave and the other chapels within the church, in a dialogue among the arts and the patrons of those other spaces. This volume explores this historical and artistic phenomenon through a number of examples involving the patronage of prominent Roman families such as the Chigis, Spadas, Caetanis, Cybos and important artists and architects such as Federico Zuccari, Giacomo della Porta, Carlo Maderno, Alessandro Algardi, Pietro da Cortona, Carlo Maratta.
Reviews / Votes
"This is undoubtedly a valuable publication with much to offer scholars of early modern Rome and of visual and material cultures of devotion more broadly." -- Karen J. Lloyd, CAA Reviews "Seldom does a collection of art history essays leave readers yearning for a second volume. Beautifully produced with stunning color images, although lacking sufficient comparative illustrations, Chapels of the Cinquecento and Seicento in the Churches of Rome presents nine resplendent examples-some little studied, others well known but newly interpreted." - Barbara Wisch, Renaissance QuarterlyMore details
Language
English
Place of publication
Milan
Italy
Product notice
Paperback (trade)
Unsewn / adhesive bound
Illustrations
10 Illustrations, black and white; 120 Illustrations, color
Dimensions
Height: 277 mm
Width: 211 mm
Thickness: 22 mm
Weight
1282 gr
ISBN-13
978-88-99765-93-4 (9788899765934)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
Chiara Franceschini is associate professor of Early Modern Art History at the Ludwig-Maximilians-Universitat in Munich. Her publications include Storia del limbo (2017) on images of limbo from Mantegna to Michelangelo as well as essays on the political use of antiquities and on family chapels in pre-modern Rome. She directs the ERC project SACRIMA on The Normativity of Sacred Images in Early Modern Europe on the interrelations between art and religion in Renaissance and Counter-Reformation Europe. Steven F. Ostrow, a specialist in the art of Post-Tridentine Italy and Roman Baroque sculpture, is professor of art history at the University of Minnesota. He is the author of Art and Spirituality in Counter-Reformation Rome: The Sistine and Pauline Chapels in S. Maria Maggiore (1996), and co-editor of and contributor to Dosso's Fate: Painting and Court Culture in Renaissance Italy (1998), Bernini's Biographies: Critical Essays (2006), and Critical Perspectives on Roman Baroque Sculpture (2014). Patrizia Tosini teaches Early Modern Art History at the Third University of Rome. She has published several works on the figurative arts in the age of Counter-Reformation, among which a monograph on the painter Girolamo Muziano Dalla Maniera alla Natura (2008) and Immagini ritrovate. La decorazione di villa Peretti Montalto tra Cinque e Seicento (2015).
Content
9 Chapels: An Introduction
Chiara Franceschini, Steven F. Ostrow, and Patrizia Tosini
16 Map of the Churches
18 The Frangipani Chapel in San Marcello:
Farnesian Devotion, Antiquarian Taste, and Municipal Pride
Patrizia Tosini
40 Between all'Antica and Acheiropoieton:
The Cappella Gregoriana in the Ekphrases
of Lorenzo Frizolio (1582) and Ascanio Valentino (1583)
Fabio Barry
64 Caetani's Blood:
Magnificence, Lineage, and Martyrdom
in the Family Chapel of Santa Pudenziana
Enrico Parlato
88 "A Gem Set in Most Resplendent Gold":
Girolamo Rusticucci's Confessio Chapel in Santa Susanna
Steven F. Ostrow
112 A Splendid Shrine for an Ugly Image:
Visual Interactions in the Salviati Chapel at San Gregorio al Celio
Chiara Franceschini
146 Carving Out Identity:
The Boncompagni Family, Alessandro Algardi,
and the Chapel in the Sacristy of Santa Maria in Vallicella
Guendalina Serafinelli
166 The Angelic Balustrade of the Spada Chapel
in San Girolamo della Carita
Louise Rice
190 The Arm Relic as Index of the Body:
The Chapel of Francis Xavier in the Gesu
Alison C. Fleming and Stephanie C. Leone
212 A Chapel in Dialogue:
The Cybo Chapel in Santa Maria del Popolo
Fabrizio Federici
240 List of Abbreviations
241 Bibliography
262 Contributors
264 Index of Names
268 Index of Places
271 Photo Credits
Chiara Franceschini, Steven F. Ostrow, and Patrizia Tosini
16 Map of the Churches
18 The Frangipani Chapel in San Marcello:
Farnesian Devotion, Antiquarian Taste, and Municipal Pride
Patrizia Tosini
40 Between all'Antica and Acheiropoieton:
The Cappella Gregoriana in the Ekphrases
of Lorenzo Frizolio (1582) and Ascanio Valentino (1583)
Fabio Barry
64 Caetani's Blood:
Magnificence, Lineage, and Martyrdom
in the Family Chapel of Santa Pudenziana
Enrico Parlato
88 "A Gem Set in Most Resplendent Gold":
Girolamo Rusticucci's Confessio Chapel in Santa Susanna
Steven F. Ostrow
112 A Splendid Shrine for an Ugly Image:
Visual Interactions in the Salviati Chapel at San Gregorio al Celio
Chiara Franceschini
146 Carving Out Identity:
The Boncompagni Family, Alessandro Algardi,
and the Chapel in the Sacristy of Santa Maria in Vallicella
Guendalina Serafinelli
166 The Angelic Balustrade of the Spada Chapel
in San Girolamo della Carita
Louise Rice
190 The Arm Relic as Index of the Body:
The Chapel of Francis Xavier in the Gesu
Alison C. Fleming and Stephanie C. Leone
212 A Chapel in Dialogue:
The Cybo Chapel in Santa Maria del Popolo
Fabrizio Federici
240 List of Abbreviations
241 Bibliography
262 Contributors
264 Index of Names
268 Index of Places
271 Photo Credits