
Sally Potter
Catherine Fowler(Author)
University of Illinois Press
Published on 29. October 2008
Book
Paperback/Softback
168 pages
978-0-252-07576-6 (ISBN)
Description
This survey of Sally Potter's work explores her cinematic development from the feminist reworking of La BohEme in Thriller to the provocative contemplation of romantic relationships after 9/11 in Yes. Catherine Fowler traces a clear trajectory of developing themes and preoccupations and shows how Potter uses song, dance, performance, and poetry to expand our experience of cinema beyond the audiovisual.
Potter has relentlessly struggled against predictability and safe options. Again and again, her works grapple with the complexities of being a woman in charge. Instead of the quest to find a romantic partner that drives mainstream cinema, Potter's films feature characters seeking answers to questions about their sexual, gendered, social, cultural, and ethnic identities. They find answers by retelling stories, investigating mysteries, and traveling and interacting with people. At the heart of Potter's work is a concern with the ways narrative circumscribes women's ability to act, speak, look, desire, and think for themselves. Her first two films, Thriller and The Gold Diggers, largely deconstruct found stories, clichEs, and images. By contrast, later films like Orlando and The Tango Lesson create new and original narratives that place female acts, voices, looks, desires, and thoughts at their center.
Fowler's analysis is supplemented by a detailed filmography, bibliography, and an extensive interview with the director.
Potter has relentlessly struggled against predictability and safe options. Again and again, her works grapple with the complexities of being a woman in charge. Instead of the quest to find a romantic partner that drives mainstream cinema, Potter's films feature characters seeking answers to questions about their sexual, gendered, social, cultural, and ethnic identities. They find answers by retelling stories, investigating mysteries, and traveling and interacting with people. At the heart of Potter's work is a concern with the ways narrative circumscribes women's ability to act, speak, look, desire, and think for themselves. Her first two films, Thriller and The Gold Diggers, largely deconstruct found stories, clichEs, and images. By contrast, later films like Orlando and The Tango Lesson create new and original narratives that place female acts, voices, looks, desires, and thoughts at their center.
Fowler's analysis is supplemented by a detailed filmography, bibliography, and an extensive interview with the director.
Reviews / Votes
"A first-rate study of an important contemporary director. Catherine Fowler's writing is lucid and readable, and she traces with confidence the myriad cultural influences that shaped Potter's aesthetic."--Virginia Wright Wexman, coeditor of Women and Experimental FilmmakingMore details
Series
Language
English
Place of publication
Baltimore
United States
Target group
College/higher education
Product notice
Paperback (trade)
Unsewn / adhesive bound
Illustrations
10 photographs
Dimensions
Height: 203 mm
Width: 137 mm
Thickness: 15 mm
Weight
227 gr
ISBN-13
978-0-252-07576-6 (9780252075766)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
Catherine Fowler is a senior lecturer in film at the University of Otago, New Zealand, and the coeditor of Representing the Rural: Space, Place, and Identity in Films about the Land.