
The Art of Paper
From the Holy Land to the Americas
Caroline Fowler(Author)
Yale University Press
Published on 26. November 2019
Book
Hardback
184 pages
978-0-300-24602-5 (ISBN)
Description
The untold story of how paper revolutionized art making during the Renaissance, exploring how it shaped broader concepts of authorship, memory, and the transmission of ideas over the course of three centuries
In the late medieval and Renaissance period, paper transformed society-not only through its role in the invention of print but also in the way it influenced artistic production. The Art of Paper tells the history of this medium in the context of the artist's workshop from the thirteenth century, when it was imported to Europe from Africa, to the sixteenth century, when European paper was exported to the colonies of New Spain. In this pathbreaking work, Caroline Fowler approaches the topic culturally rather than technically, deftly exploring the way paper shaped concepts of authorship, preservation, and the transmission of ideas during this period. This book both tells a transcultural history of paper from the Cairo Genizah to the Mesoamerican manuscript and examines how paper became "Europeanized" through the various mechanisms of the watermark, colonization, and the philosophy of John Locke. Ultimately, Fowler demonstrates how paper-as refuse and rags transformed into white surface-informed the works for which it was used, as well as artists' thinking more broadly, across the early modern world.
In the late medieval and Renaissance period, paper transformed society-not only through its role in the invention of print but also in the way it influenced artistic production. The Art of Paper tells the history of this medium in the context of the artist's workshop from the thirteenth century, when it was imported to Europe from Africa, to the sixteenth century, when European paper was exported to the colonies of New Spain. In this pathbreaking work, Caroline Fowler approaches the topic culturally rather than technically, deftly exploring the way paper shaped concepts of authorship, preservation, and the transmission of ideas during this period. This book both tells a transcultural history of paper from the Cairo Genizah to the Mesoamerican manuscript and examines how paper became "Europeanized" through the various mechanisms of the watermark, colonization, and the philosophy of John Locke. Ultimately, Fowler demonstrates how paper-as refuse and rags transformed into white surface-informed the works for which it was used, as well as artists' thinking more broadly, across the early modern world.
Reviews / Votes
"Illustrates a vibrant and fascinating history of the appropriation of paper in medieval and earlymodern visual arts with unique examples and a clear understanding on how the technology of paper changed artistic practices across the continents."-Orietta Da Rold, The Library
"Beautifully argued and illustrated, wide-ranging, and fast-paced, this engaging book prompts us to reconsider paper as a valuable, surprisingly eloquent commodity."-Eileen Reeves, Princeton University
"This book is highly original, and Fowler's scholarship is exemplary. It orients the study of Renaissance drawings and artistic practice in a new direction, away from concerns of connoisseurship and authenticity to broader cultural issues."-Jean Cadogan, Trinity College
More details
Language
English
Place of publication
United States
Target group
Professional and scholarly
Product notice
Cloth over boards
Illustrations
113 color illus.
Dimensions
Height: 229 mm
Width: 178 mm
ISBN-13
978-0-300-24602-5 (9780300246025)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
Caroline Fowler is associate director of research and academic programs at the Clark Art Institute.