Reading Dancing
Bodies and Subjects in Contemporary American Dance
1st Edition
Published on 22. April 1988
Book
Paperback/Softback
336 pages
978-0-520-06333-4 (ISBN)
Description
Borrowing from contemporary semiotics and post-structuralist criticism, Foster outlines four models for representation in dance which are illustrated through an analysis of the works of contemporary choreographers and through historical examples beginning with court ballets of the Renaissance.
Reviews / Votes
"Susan Foster is a new breed of dancer and choreographer." * New York Times * "Foster proposes a context from which the reader might make, see, or write about dance." * CHOICE * "No other dance book had posited an alternative aesthetic and historical framework beyond its own disciplinary content. In advance of the turn to the body in social theory, dance therefore became a major contributor to the rethinking of history advanced by new historicists, and an art form that could be "read" within the context of history and politics. . . . Although dance studies is a growing field for undergraduate studies, its critical status depends on texts such as Reading Dancing that can be debated more widely." * Times Higher Education *More details
Edition
First Edition
Language
English
Place of publication
Berkerley
United States
Target group
College/higher education
Professional and scholarly
Product notice
Paperback (trade)
Dimensions
Height: 210 mm
Width: 210 mm
Thickness: 25 mm
Weight
590 gr
ISBN-13
978-0-520-06333-4 (9780520063334)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Content
Illustrations
Preface
CHAPTER ONE
Reading Dance: Composing the Choreographer, the Dancer, and the Viewer
Deborah Hay
George Balanchine
Martha Graham
Merce Cunningham
Four Bodies and Subjects
CHAPTER TWO
Reading Choreography: Composing Dances
Frames
Modes of Representation
Styles
Vocabularies
Syntaxes
Reading the Performance
CHAPTER THREE
Readings in Dance's History: Historical Approaches to Dance Composition
Allegorical Dance in the Late Renaissance
Neoclassical Dance in the Eighteenth Century
Expressionist Dance in the Early Twentieth Century
Objectivist Dance from 1950 to the Present
CHAPTER FOUR
Writing Dancing: The Viewer as Choreographer in Contemporary Dance
The Grand Union
Meredith Monk
Twyla Tharp
Writing Bodies and Subjects
Notes
Selected Bibliography
Index
Preface
CHAPTER ONE
Reading Dance: Composing the Choreographer, the Dancer, and the Viewer
Deborah Hay
George Balanchine
Martha Graham
Merce Cunningham
Four Bodies and Subjects
CHAPTER TWO
Reading Choreography: Composing Dances
Frames
Modes of Representation
Styles
Vocabularies
Syntaxes
Reading the Performance
CHAPTER THREE
Readings in Dance's History: Historical Approaches to Dance Composition
Allegorical Dance in the Late Renaissance
Neoclassical Dance in the Eighteenth Century
Expressionist Dance in the Early Twentieth Century
Objectivist Dance from 1950 to the Present
CHAPTER FOUR
Writing Dancing: The Viewer as Choreographer in Contemporary Dance
The Grand Union
Meredith Monk
Twyla Tharp
Writing Bodies and Subjects
Notes
Selected Bibliography
Index