Performing Whiteness
Postmodern Re/Constructions in the Cinema
Published on 30. January 2003
Book
Hardback
192 pages
978-0-7914-5627-9 (ISBN)
Description
2003 CHOICE Outstanding Academic Title
Performing Whiteness crosses the boundaries of film study to explore images of the white body in relation to recent theoretical perspectives on whiteness. Drawing on such diverse critical methodologies as postcolonial studies, feminist film criticism, anthropology, and phenomenology, Gwendolyn Audrey Foster examines a wide variety of films from early cinema to the present day in order to explore the ways in which American cinema imposes whiteness as a cultural norm, even as it exposes its inherent instability. In discussions that range from The Philadelphia Story to Attack of the 50 Foot Woman, Foster shows that, though American cinema is an all-white construct, there exists the possibility of a healthy resistance to cultural norms of race, gender, sexuality, and class.
Performing Whiteness crosses the boundaries of film study to explore images of the white body in relation to recent theoretical perspectives on whiteness. Drawing on such diverse critical methodologies as postcolonial studies, feminist film criticism, anthropology, and phenomenology, Gwendolyn Audrey Foster examines a wide variety of films from early cinema to the present day in order to explore the ways in which American cinema imposes whiteness as a cultural norm, even as it exposes its inherent instability. In discussions that range from The Philadelphia Story to Attack of the 50 Foot Woman, Foster shows that, though American cinema is an all-white construct, there exists the possibility of a healthy resistance to cultural norms of race, gender, sexuality, and class.
Reviews / Votes
"Thought-provoking and brilliantly written and illustrated ... will make excellent supplementary reading for those studying race and gender in film ... Essential." - CHOICE"Performing Whiteness offers a different and innovative treatment of issues of race and ethnicity from the standpoint of examining 'the assumptions behind whiteness as a cultural norm.' I was constantly astounded by the breadth of cinematic texts and by the wealth of cultural material cited to illuminate their discussion." - Marcia Landy, author of The Folklore of Consensus: Theatricality in the Italian Cinema, 1930-1943
"This book will leave no one indifferent. It is written with force and informed by references to hundreds of films that span the entire century, from the beginning of cinema up to now. Its views are unremitting and timely." - Tom Conley, author of Film Hieroglyphs: Ruptures in Classical Cinema
More details
Series
Language
English
Place of publication
Albany, NY
United States
Illustrations
Total Illustrations: 0
Dimensions
Height: 229 mm
Width: 152 mm
Thickness: 25 mm
Weight
227 gr
ISBN-13
978-0-7914-5627-9 (9780791456279)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
E-Book
02/2012
1st Edition
De Gruyter
€35.49
Available for download
Person
Gwendolyn Audrey Foster is Associate Professor of English and Film Studies at the University of Nebraska. Her previous books include Captive Bodies: Postcolonial Subjectivity in Cinema, also published by SUNY Press, and Troping the Body: Gender, Etiquette, and Performance.
Content
List of Illustrations
Acknowledgments
1. Performing Whiteness
2. Inventing Whiteness
3. White Face, White Space
4. The Bad-White Body
5. Performing the "Good" White
6. Performing the "Bad" White
7. Performing White Otherness
Works Cited and Consulted
About the Author
Index
Acknowledgments
1. Performing Whiteness
2. Inventing Whiteness
3. White Face, White Space
4. The Bad-White Body
5. Performing the "Good" White
6. Performing the "Bad" White
7. Performing White Otherness
Works Cited and Consulted
About the Author
Index