The Cultural Matrix
Understanding Black Youth
Published on 14. March 2016
Book
Paperback/Softback
688 pages
978-0-674-65997-1 (ISBN)
Description
The Cultural Matrix seeks to unravel a uniquely American paradox: the socioeconomic crisis, segregation, and social isolation of disadvantaged black youth, on the one hand, and their extraordinary integration and prominence in popular culture on the other. Despite school dropout rates over 40 percent, a third spending time in prison, chronic unemployment, and endemic violence, black youth are among the most vibrant creators of popular culture in the world. They also espouse several deeply-held American values. To understand this conundrum, the authors bring culture back to the forefront of explanation, while avoiding the theoretical errors of earlier culture-of-poverty approaches and the causal timidity and special pleading of more recent ones.
There is no single black youth culture, but a complex matrix of cultures-adapted mainstream, African-American vernacular, street culture, and hip-hop-that support and undermine, enrich and impoverish young lives. Hip-hop, for example, has had an enormous influence, not always to the advantage of its creators. However, its muscular message of primal honor and sensual indulgence is not motivated by a desire for separatism but by an insistence on sharing in the mainstream culture of consumption, power, and wealth.
This interdisciplinary work draws on all the social sciences, as well as social philosophy and ethnomusicology, in a concerted effort to explain how culture, interacting with structural and environmental forces, influences the performance and control of violence, aesthetic productions, educational and work outcomes, familial, gender, and sexual relations, and the complex moral life of black youth.
There is no single black youth culture, but a complex matrix of cultures-adapted mainstream, African-American vernacular, street culture, and hip-hop-that support and undermine, enrich and impoverish young lives. Hip-hop, for example, has had an enormous influence, not always to the advantage of its creators. However, its muscular message of primal honor and sensual indulgence is not motivated by a desire for separatism but by an insistence on sharing in the mainstream culture of consumption, power, and wealth.
This interdisciplinary work draws on all the social sciences, as well as social philosophy and ethnomusicology, in a concerted effort to explain how culture, interacting with structural and environmental forces, influences the performance and control of violence, aesthetic productions, educational and work outcomes, familial, gender, and sexual relations, and the complex moral life of black youth.
Reviews / Votes
An ambitious new anthology...meant to show that the culturalist tradition still has something to teach us. * New Yorker * Considering recent tragedies and protests involving black youths, the police and the legal system-along with the centuries of devastation wrought by racial bias-a work exploring the impact of culture is both timely and welcome... Patterson and his peers present a balanced, rigorous interpretation of culture, with ample empirical evidence, and include the actual voices and viewpoints of black youths... They also suggest possible strategies and tactics for the ways in which culture can be understood and employed to improve the lives of black youths-in all their rich diversity and potential. -- Greg Thomas * The Root * In The Cultural Matrix, Patterson and about two dozen other academics try to understand the persistence of segregation, social isolation, poverty and crime among Black youth... The Cultural Matrix provides an important framework for understanding an urgent issue that should be a public policy priority. -- Glenn C. Altschuler * Florida Courier * This pathbreaking book examines an essential topic that men and women in the street discuss but that social scientists too often ignore: the contrast between the economic and social plight of black youth, on the one hand, and their cultural creativity, on the other. Jam-packed with carefully researched essays by outstanding scholars from a broad array of disciplines, this volume, edited by the ever-fearless Orlando Patterson, is crowned by his call to take culture seriously and his brilliant demonstration of just how to do so. Must reading for students and scholars of urban black America, The Cultural Matrix is an invaluable resource, one to be pondered and savored. -- Roger Waldinger, University of California, Los Angeles The Cultural Matrix: Understanding Black Youth is a landmark book that I believe will become an instant classic. It is replete with original insights on the cultural life of black youth, which enhance our understanding not only of their social plight, but their creativity as well. We are deeply indebted to Orlando Patterson and his colleagues for a work that will change the way we think about black youth and the complex circumstances that impact and shape their lives. -- William Julius Wilson, Harvard UniversityMore details
Language
English
Place of publication
Cambridge, Mass
United States
Target group
College/higher education
Product notice
Paperback (trade)
Unsewn / adhesive bound
Illustrations
28 line illustrations, 9 tables
Dimensions
Height: 233 mm
Width: 154 mm
Thickness: 53 mm
Weight
777 gr
ISBN-13
978-0-674-65997-1 (9780674659971)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
Orlando Patterson is John Cowles Professor of Sociology at Harvard University; the author of Freedom in the Making of Western Culture, which won the National Book Award for Nonfiction, and Slavery and Social Death (Harvard); and the editor of The Cultural Matrix: Understanding Black Youth (Harvard), for which he was awarded the Anisfield-Wolf Book Award for Lifetime Achievement. His work has been honored by the American Sociological Association and the American Political Science Association, among others, and he is a member of the American Academy of Arts and Sciences. He served as Special Advisor for Social Policy and Development to Jamaican Prime Minister Michael Manley and was awarded the Order of Distinction by the Government of Jamaica. Ethan Fosse is a doctoral student in Sociology at Harvard University. Alexandra A. Killewald is Associate Professor of Sociology at Harvard University. Robert J. Sampson is Professor and Chair of Sociology at Harvard University. Tommie Shelby is Caldwell Titcomb Professor of African and African American Studies and of Philosophy at Harvard University. In addition to Dark Ghettos he is the author of We Who Are Dark: The Philosophical Foundations of Black Solidarity and coeditor with Brandon M. Terry of To Shape a New World: Essays on the Political Philosophy of Martin Luther King, Jr. Sudhir Alladi Venkatesh is William B. Ransford Professor of Sociology at Columbia University.