Objects of Translation
Material Culture and Medieval "Hindu-Muslim" Encounter
Published on 3. May 2009
Book
Hardback
384 pages
978-0-691-12594-7 (ISBN)
Description
Objects of Translation offers a nuanced approach to the entanglements of medieval elites in the regions that today comprise Afghanistan, Pakistan, and north India. The book--which ranges in time from the early eighth to the early thirteenth centuries--challenges existing narratives that cast the period as one of enduring hostility between monolithic "Hindu" and "Muslim" cultures. These narratives of conflict have generally depended upon premodern texts for their understanding of the past. By contrast, this book considers the role of material culture and highlights how objects such as coins, dress, monuments, paintings, and sculptures mediated diverse modes of encounter during a critical but neglected period in South Asian history. The book explores modes of circulation--among them looting, gifting, and trade--through which artisans and artifacts traveled, remapping cultural boundaries usually imagined as stable and static. It analyzes the relationship between mobility and practices of cultural translation, and the role of both in the emergence of complex transcultural identities.
Among the subjects discussed are the rendering of Arabic sacred texts in Sanskrit on Indian coins, the adoption of Turko-Persian dress by Buddhist rulers, the work of Indian stone masons in Afghanistan, and the incorporation of carvings from Hindu and Jain temples in early Indian mosques. Objects of Translation draws upon contemporary theories of cosmopolitanism and globalization to argue for radically new approaches to the cultural geography of premodern South Asia and the Islamic world.
Among the subjects discussed are the rendering of Arabic sacred texts in Sanskrit on Indian coins, the adoption of Turko-Persian dress by Buddhist rulers, the work of Indian stone masons in Afghanistan, and the incorporation of carvings from Hindu and Jain temples in early Indian mosques. Objects of Translation draws upon contemporary theories of cosmopolitanism and globalization to argue for radically new approaches to the cultural geography of premodern South Asia and the Islamic world.
Reviews / Votes
Winner of the 2011 Ananda Kentish Coomaraswamy Book Prize, Association for Asian Studies, South Asia Council One of Choice's Outstanding Academic Titles for 2009 "This brilliant book does many things well, but two stand out. It is an overview of the art, especially architecture and architectural decoration, of what is now northern India, Pakistan, and Afghanistan from the eighth to the thirteenth centuries--from the arrival of Islam to the eve of the Mongol conquests. It is also a trenchant essay of interpretation, substituting a richly textured consideration of cultural dynamics and cultural change on a theoretical level for the traditional dichotomy of Hindu versus Muslim... Nothing is comparable to this deeply learned, engrossing, and well-written albeit often challenging work, which is full of compelling discussions of important monuments. It deserves a wide readership."--L. Nees, Choice "[A] brilliant, far-ranging study... This book is essential reading for anyone who seeks to understand the medieval 'Hindu-Muslim' encounter."--John E. Cort, Religious Studies Review "Flood's is an outstanding book and its level of scholarship is far in excess of any other work on medieval Indian history that I am aware of. It is a book that gladdens one's heart as much as it enriches one's mind."--Harbans Mukhia, Medieval History Journal "This book will not only be of interest to scholars of material culture, art and architectural history, religion, and medieval history, but is also entirely relevant to scholars of modern South Asia. In its insistence on mobility--of objects, people, and ideas--and resistance to boundaries, Flood's book is a timely reminder that global mobility is hardly a new phenomenon."--Preeti Chopra, Contemporary South Asia "This book is a most welcomed addition to the still meager though growing number of studies in Islamic art and material culture, which are based on theoretical premises and on a close, comparative scrutiny of multiple visual objects and texts... [D]ue to its rich material and novel ideas, this book is a necessary asset in the library of historians and art historians of the Muslim world and India, and a useful text-book in academic teaching, hard to read but fully rewarding."--Rachel Milstein, Jerusalem Studies in Arabic and IslamMore details
Language
English
Place of publication
New Jersey
United States
Target group
College/higher education
Product notice
Trade binding
Illustrations
178 halftones.
Dimensions
Height: 254 mm
Width: 203 mm
Weight
1418 gr
ISBN-13
978-0-691-12594-7 (9780691125947)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
E-Book
07/2022
University of Pittsburgh Press
€43.99
Available for download
Person
Finbarr B. Flood is associate professor in the Department of Art History and the Institute of Fine Arts at New York University. He is the author of "The Great Mosque of Damascus: Studies on the Making of an Umayyad Visual Culture".
Content
Acknowledgments xi A Note on Translations and Transliterations xv Introduction 1 Roots or Routes? 1 Networks, Translation, and Transculturation 5 Things and Texts 9 Chapter 1: The Mercantile Cosmopolis 15 Polyglot Frontiers and Permeable Boundaries 15 Gifts, Idolatry, and the Political Economy 26 Heteropraxy, Taxonomy, and Traveling Orthography 37 Chapter 2: Cultural Cross-dressing 61 Prestigious Imitation 61 Fractal Kingship and Royal Castoff s 75 The Raja's Finger and the Sultan's Belt 84 Chapter 3: Accommodating the Infi del 89 Sunni Internationalism and the Ghurid Interlude 89 From King of the Mountains to the Second Alexander 93 Homology, Ambiguity, and the Rule of Sri Hammira 107 Chapter 4: Looking at Loot 121 Signs of Sovereignty 121 Looting and Diff erence 123 Trophies and Transculturation 126 Chapter 5: Remaking Monuments 137 Taxonomies, Anomalies, and Visual Pidgin 137 Rupture and Reinscription 152 Noble Chambers and Translated Stones 160 Patrons and Masons 184 Markets, Mobility, and Intentional Hybridity 189 Chapter 6: Palimpsest Pasts and Fictive Genealogies 227 A World within a World 227 Monuments and Memory 247 The Fate of Hamm?ra 255 Conclusion: In and Out of Place 261 Appendix: Principal Dynasties and Rulers Mentioned 269 Notes 271 Bibliography 311 1. Primary Sources 311 2. Secondary Sources (a) History and Material Culture 317 (b) Conceptual and Theoretical 347 Index 353