
Reload
Rethinking Women and Cyberculture
MIT Press
Published on 3. May 2002
Book
Hardback
596 pages
978-0-262-06227-5 (ISBN)
Description
Most writing on cyberculture is dominated by two almost mutually exclusive visions:
the heroic image of the male outlaw hacker and the utopian myth of a gender-free cyberworld. Reload
offers an alternative picture of cyberspace as a complex and contradictory place where there is
oppression as well as liberation. It shows how cyberpunk's revolutionary claims conceal its ultimate
conservatism on matters of class, gender, and race. The cyberfeminists writing here view
cyberculture as a social experiment with an as-yet-unfulfilled potential to create new identities,
relationships, and cultures.The book brings together women's cyberfiction--fiction that explores the
relationship between people and virtual technologies--and feminist theoretical and critical
investigations of gender and technoculture. From a variety of viewpoints, the writers consider the
effects of rapid and profound technological change on culture, in particular both the revolutionary
and reactionary effects of cyberculture on women's lives. They also explore the feminist
implications of the cyborg, a human-machine hybrid. The writers challenge the conceptual and
institutional rifts between high and low culture, which are embedded in the texts and artifacts of
cyberculture.
the heroic image of the male outlaw hacker and the utopian myth of a gender-free cyberworld. Reload
offers an alternative picture of cyberspace as a complex and contradictory place where there is
oppression as well as liberation. It shows how cyberpunk's revolutionary claims conceal its ultimate
conservatism on matters of class, gender, and race. The cyberfeminists writing here view
cyberculture as a social experiment with an as-yet-unfulfilled potential to create new identities,
relationships, and cultures.The book brings together women's cyberfiction--fiction that explores the
relationship between people and virtual technologies--and feminist theoretical and critical
investigations of gender and technoculture. From a variety of viewpoints, the writers consider the
effects of rapid and profound technological change on culture, in particular both the revolutionary
and reactionary effects of cyberculture on women's lives. They also explore the feminist
implications of the cyborg, a human-machine hybrid. The writers challenge the conceptual and
institutional rifts between high and low culture, which are embedded in the texts and artifacts of
cyberculture.
More details
Language
English
Place of publication
Cambridge, Mass.
United States
Publishing group
MIT Press Ltd
Target group
College/higher education
Professional and scholarly
Interest Age: From 18 years
Illustrations
14
Dimensions
Height: 229 mm
Width: 178 mm
Thickness: 25 mm
Weight
907 gr
ISBN-13
978-0-262-06227-5 (9780262062275)
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Schweitzer Classification
Persons
Mary Flanagan, artist and game designer, is Founder and Director of Tiltfactor Laboratory and Sherman Fairchild Distinguished Professor of Digital Humanities at Dartmouth College. She is the coeditor (with Austin Booth) of Reload: Rethinking Women + Cyberculture (2002) and re:skin (2002), both published by the MIT Press.
Austin Booth is Director of Collections and Research Services at State University of New York at Buffalo.
Austin Booth is Director of Collections and Research Services at State University of New York at Buffalo.
Author
Sherman Fairchild Distinguished Professor in Digital Humanities; Professor, Film and Media StudiesDartmouth College
Director of Collections and Research ServicesState University of New York at Buffalo