Mudman

Caked in mud, bearing a lattice appendage of sticks attached to his back,
wearing a headdress and a nylon mask, artist Kim Jones's alter ego Mudman began
appearing on city streets, on the beach, and in galleries around Southern California
in the 1970s. Jones emerged from the performance art movement, and the unsettling,
itinerant figure of Mudman connected the abstract, formal investigations of process-
and material-based artists with the intense physicality of body-based performances.
Mudman was both artistic persona and artistic construction. Part walking sculpture,
part shaman, part urban cult figure, Mudman became a powerful icon for an era in
some ways defined by the Vietnam war and a fascination with alternative lifestyles
and non-Western religious practices. Now living and working in New York City, Jones
has become known more recently for his War Drawings, exhaustively detailed pencil
and erasure drawings in which x-men and dot-men endlessly engage and
disengage.

Mudman is the first comprehensive survey of Jones's
performances, installations, and drawings from the 1970s to the present, documenting
both his artwork and his process. Published in conjunction with a retrospective of
Jones's work, Mudman includes essays that examine the artist's early career, the
relation of his work to male fantasies of conflict and the memory of trauma, and his
use of the palimpsest and metamorphosis in his drawings.