Contemporary French Theatre and Performance
Published on 17. May 2011
Book
Hardback
XV, 244 pages
978-0-230-58051-0 (ISBN)
Description
This is the first book to explore the relationship between experimental theatre and performance making in France. Reflecting the recent return to aesthetics and politics in French theory, it focuses on how a variety of theatre and performance practitioners use their art work to contest reality as it is currently configured in France.
Reviews / Votes
'The collection is an excellent guide for readers who want to get to grips with the complexity and mixity of genres, processes and environments involved in contemporary French theatre.'
- David Whitton, Emeritus Professor, Department of European Languages and Cultures, Lancaster University, UK
'Finburgh and Lavery state their twofold purpose: to examine recent experimental theater and performance in France and to consider the political and aesthetic ramifications surrounding those practices...Of particular interest is Céline Hersant's analysis of the "landscaped narratives" of Minyana and Renaude. Jean-Pierre Han offers intriguing insights on the interface between the economy and developments in theater. Susan Haedicke conveys a vivid impression of street theater...Summing Up: Recommended. - CHOICE
More details
Series
Edition
2011 edition
Language
English
Place of publication
London
United Kingdom
Target group
Professional and scholarly
Product notice
sewn/stitched
Cloth over boards
Illustrations
XV, 244 p.
Dimensions
Height: 218 mm
Width: 142 mm
Thickness: 23 mm
Weight
499 gr
ISBN-13
978-0-230-58051-0 (9780230580510)
DOI
10.1057/9780230305663
Schweitzer Classification
Other editions
Additional editions
C. Finburgh | C. Lavery
Contemporary French Theatre and Performance
E-Book
05/2011
Palgrave Macmillan
€53.49
Available for download
C. Finburgh | C. Lavery
Contemporary French Theatre and Performance
Book
01/2011
Palgrave Macmillan
€53.49
Shipment within 15-20 days
Persons
ELAINE ASTON Professor of Contemporary Performance, Lancaster University, UK
DAVID BRADBY Emeritus Professor of Drama and Theatre Studies, Royal Holloway, University of London, UK
ROBERT CANTARELLA independent scholar, France
AUGUSTO CORRIERI independent scholar, UK
MICHEL CORVIN Emeritus Professor of Theatre Studies, Université Paris-III Sorbonne nouvelle, France
LAURA CULL Lecturer in Performing Arts, Northumbria University, UK
BOJANA CVEJIC Lecturer in Contemporary Dance and Performance in the Department for Media and Culture Studies, Utrecht University, Netherlands
CHLOÉ DÉCHERY independent scholar, France
SUSAN HAEDICKE Associate Professor in the School of Theatre, Performance, and Cultural Policy Studies, University of Warwick, UK
BÉRENICE HAMIDI-KIM Lecturer, Université de Lyon 2, France
GERALDINE HARRIS Professor in Theatre Studies, Lancaster University, UK
CÉLINE HERSANT Lecturer, Université Paris-III Sorbonne nouvelle, France
JEAN-PIERRE HAN Director of the Syndicat Professionnel de la Critique, France
NIGEL STEWARY Senior Lecturer in the Lancaster Institute for the Contemporary Arts, UK
ÉRIC VAUTRIN Maître de Conférences, Université de Caen, Basse-Normandie, France
Content
List of illustrations Acknowledgements Notes on contributors Introduction; C.Finburgh & C.Lavery PART I: CONTEMPORARY FRENCH THEATRE From Mise en Scène of Texte to Performance of 'Textual Material'; D.Bradby The Spirit of a Place: Place in Contemporary French Performance; M.Corvin The Landscaped Narratives of Philippe Minyana and Noëlle; C.Hersant The Politics of Dramaturgy in France; C.Finburgh An Unlikely Scene: French Theatre in the New Liberal Economy; J-P.Han The Construction and Production of Performance; R.Cantarella Performing Presence, Affirming Difference: Deleuze and the Minor Theatres of Georges Lavaudant and Carmelo Bene; L.Cull Théatre du Grabuge: Ethics, Politics and Community; B.Hamidi Amateurism and the 'DIY' Aesthetic: Grand Magasin and Philippe Quesne; C.Déchery PART II: CONTEMPORARY FRENCH PERFORMANCE From Orlan to Bernhardt: Recycling French Feminism, Theatre and Performance; E.Aston Performance and Poetry: Crossed Destinies; É.Vautrin Breaking Down the Walls: Interventionist Performance Strategies in French Street Theatre; S.Haedicke Montage and Détournement in Contemporary Moving Image Performance; C.Lavery Xavier Le Roy: The Dissenting Choreography of One Frenchman Less; B.Cvejic A Theological Turn? French Postmodern Dance and Herman Diephuis' D'Après J C ; N.Stewart How to Collaborate With Someone you may Never Meet; A.Corrieri Après Toutes Ces Elles/After All This Else: 'New' French Feminisms Translated to the British Scene; G.Harris Index