British Literature in Transition, 1920-1940: Futility and Anarchy
Published on 20. December 2018
Book
Hardback
384 pages
978-1-107-14553-5 (ISBN)
Description
Literature from the 'political' 1930s has often been read in contrast to the 'aesthetic' 1920s. This collection suggests a different approach. Drawing on recent work expanding our sense of the political and aesthetic energies of interwar modernisms, these chapters track transitions in British literature. The strains of national break-up, class dissension and political instability provoked a new literary order, and reading across the two decades between the wars exposes the continuing pressure of these transitions. Instead of following familiar markers - 1922, the Crash, the Spanish Civil War - or isolating particular themes from literary study, this collection takes key problems and dilemmas from literature 'in transition' and reads them across familiar and unfamiliar cultural works and productions, in their rich and contradictory context of publication. Themes such as gender, sexuality, nation and class are thus present throughout these essays. Major writers such as Woolf are read alongside forgotten and marginalised voices.
Reviews / Votes
'The underlying editorial argument is consistently evident through the book, offering the reader a satisfying sense of congruence and coherence across parts and chapters. The authors also do justice to the aim of the 'British Literature in Transition' series 'to understand literature's role in mediating the developments of the past hundred years ... there is much to admire in the way contributors manage to weave together literary works and the social and political histories of the day.' Brian Elliott, Marx and Philosophy Review of BooksMore details
Series
Language
English
Place of publication
Cambridge
United Kingdom
Target group
College/higher education
Illustrations
2 Halftones, black and white
Dimensions
Height: 231 mm
Width: 166 mm
Thickness: 27 mm
Weight
666 gr
ISBN-13
978-1-107-14553-5 (9781107145535)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
E-Book
12/2018
Cambridge University Press
€83.99
Available for download
Charles Ferrall | Dougal McNeill
British Literature in Transition, 1920-1940: Futility and Anarchy
E-Book
12/2018
Cambridge University Press
€101.99
Available for download
Persons
Charles Ferrall is Associate Professor of English, Victoria University of Wellington. He is the author of Modernist Writing and Reactionary Politics (Cambridge, 2001) and, with Dougal McNeill, Writing the 1926 General Strike: Literature, Culture, Politics (Cambridge, 2015). He is editor of the Journal of New Zealand Literature, and is currently working on a study of working-class interwar British literature. Dougal McNeill is Senior Lecturer in English, Victoria University of Wellington. He is the author, with Charles Ferrall, of Writing the 1926 General Strike: Literature, Culture, Politics (Cambridge, 2015). Other books of his include Forecasts of the Past: Globalisation, History, Realism, Utopia (2012) and an edition of Harry Holland's Robert Burns: Poet and Revolutionist (2016).
Content
Introduction Charles Ferrall and Dougal McNeill; Part I. After the War: 1. Out of Mrs Colefax's Drawing-Room: poets and poetry between the wars Harry Ricketts; 2. Perverting the postwar: sexuality and state violence in women's literature Layne Parish Craig; 3. Journeys without maps: literature and spiritual experience Lara Vetter; Part II. Literature after Human Nature Changed: 4. Writing the vote: suffrage, gender, and politics Sowon S. Park and Kathryn Laing; 5. Literature and human rights Rachel Potter; 6. Psychoanalysis and modernism John Farrell; Part III. Immense Panoramas of Futility and Anarchy: Writing and Politics: 7. History: the past in transition Gabrielle McIntire; 8. Women's work? Domestic labour and proletarian fiction Charles Ferrall; 9. Ordinary places, intermodern genres: documentary, travel, and literature Kristin Bluemel; 10. Bloomsbury conversations that didn't happen: Indian writing between British modernism and anti-colonialism Snehal Shingavi and Charlotte Nunes; Part IV. The First Break-Up of Britain: 11. Between Holyhead and Kingstown: Anglo-Irish perspectives on the character of British fiction Michael G. Cronin; 12. Cancer of empire: the Glasgow novel between the wars Liam McIlvanney; 13. Lewis Jones and the making of Welsh Identity Shintaro Kono; 14. From Optik to Haptik: Celticism, symbols and stones in the 1930s Peter Mackay; Part V. Transitions High and Low: 15. On the home front: designs for living in British drama between the wars Penny Farfan; 16. Middlemen, middlebrow, broadbrow Nicola Wilson; 17. Detective fiction: resolutions without solutions J. C. Bernthal; 18. British literature in transmission: writing and wireless James Purdon.