
Egg Printing Explained
Katy Evans-Bush(Author)
Salt Publishing
Will be published approx. on 1. June 2011
Book
Paperback/Softback
92 pages
978-1-84471-822-1 (ISBN)
Description
In a world where everything has more possible explanations than ever before, where no experience seems real unless it is refracted, this book examines love, loss, and time itself under a variety of lenses: these poems are made from other poems, from paintings, from songs, from spam emails, snapshots, jokes, dreams. We are the experts on our own existence, but what does it all mean?
Katy Evans-Bush has been praised for situating poetry in the heart of daily life, and her second collection is written in deep engagement with the sounds and colours of real and imaginative worlds. The French writer Nerval's pet lobster takes us on a vibrant summer's outing in nineteenth century Paris. Two playwrights in two centuries ponder happily on their unseen downfalls. A child dithers on a hot day, and a lover resorts to pure tactile expression at the moment it means the most.
A sharply-lit American childhood is seen as if through a telescope, from amid the mists of London and its layered lives. Ordinary objects act of their own accord; art speaks to us more than the person standing beside us; and the core of love remains the same while everything around it shapeshifts. One thing is certain, though: an egg is never just an egg.
Katy Evans-Bush has been praised for situating poetry in the heart of daily life, and her second collection is written in deep engagement with the sounds and colours of real and imaginative worlds. The French writer Nerval's pet lobster takes us on a vibrant summer's outing in nineteenth century Paris. Two playwrights in two centuries ponder happily on their unseen downfalls. A child dithers on a hot day, and a lover resorts to pure tactile expression at the moment it means the most.
A sharply-lit American childhood is seen as if through a telescope, from amid the mists of London and its layered lives. Ordinary objects act of their own accord; art speaks to us more than the person standing beside us; and the core of love remains the same while everything around it shapeshifts. One thing is certain, though: an egg is never just an egg.
Reviews / Votes
Katy Evans-Bush can tell an offbeat story the way you've never heard it before, but wanted to. Her ironised yet romantic fatalism--reminiscent of a post-sisterhood Millay--is a model of wit and restrained emotion. -- John Stammers on Me and the Dead This intimate voice, in this accomplished collection, points to an unbridled versatility. -- Julian Stannard * Poetry London * Many of these poems are a tour de force. -- Julian Stannard * Poetry London * This is not to suggest in any way we employ the term surreal to describe Egg Printing Explained. These are carefully managed poems, never experimental in any formal sense, yet the poet is evidently nourished by a ludic spirit which allows for a collision of registers, a promiscuity of styles, and boundless performative verve. -- Julian Stannard * Poetry London *More details
Series
Language
English
Place of publication
Cambridge
United Kingdom
Product notice
Paperback (UK-B)
Illustrations
Not illustrated
Dimensions
Height: 198 mm
Width: 129 mm
Thickness: 5 mm
Weight
108 gr
ISBN-13
978-1-84471-822-1 (9781844718221)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
Katy Evans-Bush was born in New York City. At the age of nineteen she moved to London, where she now has three children and a no-pets clause. An editor in the not-for-profit sector, she writes essays and reviews as well as poetry, is a regular contributor to the Contemporary Poetry Review, and is the author of the literary blog Baroque in Hackney.
Content
Contents
Talk
Thibault's Ribbon
Speculation and Conjecture
The Grand Disjuncture
My Hero
Steam Across the Quad, Baby!
dear m magritte
O Let Me Not
1599: He Looketh Happily Across the Thames by Bankside
Fretwork
The Love Ditty of an 'eartsick Pirate
In Which the Playwright Reflects on the Nature of His Existence
Hope Like Heaven: a Shaggy God Story
Hell
Radio Silence
It's a Right Birds' Nest
The Night is Dark
& outside by the stream the colours were so amazing
Richard Price
The Fabiola
You're in Bedlam
Meditations on a Freudian's Lip
After the Gasometers
The Starvefish
Billy and the Days
Intelligent Album Rock
Forth in July
The Desiring of Practically Everything
Overland Homesick Blues
Connecticut Postcard
The Desert
Freefall
What's Time
And Across the Harbour a Solitary Skiff
Animate
Hansel
A Christmas Play
The Mountain Goat and the Mermaid
The Base Macian
A Few Squibs
Bisects
The Best Scarf in London: a Picaresque
Henry in Love
Spring in Baker Street
This Was the Pace of my Heartbeat
Away
On a Note by Louise Bourgeois
November 30, 1900
Hammershoi
Notes
Talk
Thibault's Ribbon
Speculation and Conjecture
The Grand Disjuncture
My Hero
Steam Across the Quad, Baby!
dear m magritte
O Let Me Not
1599: He Looketh Happily Across the Thames by Bankside
Fretwork
The Love Ditty of an 'eartsick Pirate
In Which the Playwright Reflects on the Nature of His Existence
Hope Like Heaven: a Shaggy God Story
Hell
Radio Silence
It's a Right Birds' Nest
The Night is Dark
& outside by the stream the colours were so amazing
Richard Price
The Fabiola
You're in Bedlam
Meditations on a Freudian's Lip
After the Gasometers
The Starvefish
Billy and the Days
Intelligent Album Rock
Forth in July
The Desiring of Practically Everything
Overland Homesick Blues
Connecticut Postcard
The Desert
Freefall
What's Time
And Across the Harbour a Solitary Skiff
Animate
Hansel
A Christmas Play
The Mountain Goat and the Mermaid
The Base Macian
A Few Squibs
Bisects
The Best Scarf in London: a Picaresque
Henry in Love
Spring in Baker Street
This Was the Pace of my Heartbeat
Away
On a Note by Louise Bourgeois
November 30, 1900
Hammershoi
Notes