
Experiments in Immersive, One-to-One Performance
Understanding Audience Experience through Sensory Engagement
Natalia Esling(Author)
Routledge (Publisher)
1st Edition
Published on 1. August 2024
Book
Hardback
156 pages
978-0-367-63122-2 (ISBN)
Description
This book investigates audience experience through the lens of sensory engagement in immersive, one-to-one performance.
It presents a distinct, practice-based research (PBR) framework - a performance research 'laboratory' - designed to evaluate the effects on diverse audience experiences of two 'sense-specific manipulations': eye masks and touch. Through a qualitative analysis of responses from seventy-four individual audience participants, this book offers insight into how these popular 'immersing' strategies might be experienced. What do these strategies achieve? How do audience participants make sense of them? Do audience responses align with artistic intentions? And how does the PBR framework designed to address these questions influence the outcomes? Through an analysis of three sets of one-to-one performance experiments generating comparative data about the experience of sense-specific manipulation, this book proposes the utility of merging methodologies in artistic research with empirical audience research in theatre and performance studies.
This study offers a new perspective on the value of sensory-focused, immersive, one-to-one experience as a means of resensitizing audience participants through performance.
It presents a distinct, practice-based research (PBR) framework - a performance research 'laboratory' - designed to evaluate the effects on diverse audience experiences of two 'sense-specific manipulations': eye masks and touch. Through a qualitative analysis of responses from seventy-four individual audience participants, this book offers insight into how these popular 'immersing' strategies might be experienced. What do these strategies achieve? How do audience participants make sense of them? Do audience responses align with artistic intentions? And how does the PBR framework designed to address these questions influence the outcomes? Through an analysis of three sets of one-to-one performance experiments generating comparative data about the experience of sense-specific manipulation, this book proposes the utility of merging methodologies in artistic research with empirical audience research in theatre and performance studies.
This study offers a new perspective on the value of sensory-focused, immersive, one-to-one experience as a means of resensitizing audience participants through performance.
More details
Series
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
Professional and scholarly
Academic
Illustrations
6 s/w Abbildungen, 6 s/w Photographien bzw. Rasterbilder, 4 s/w Tabellen, 4 farbige Tabellen
4 Tables, color; 4 Tables, black and white; 6 Halftones, black and white; 6 Illustrations, black and white
Dimensions
Height: 240 mm
Width: 161 mm
Thickness: 14 mm
Weight
432 gr
ISBN-13
978-0-367-63122-2 (9780367631222)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

Natalia Esling
Experiments in Immersive, One-to-One Performance
Understanding Audience Experience through Sensory Engagement
Book
05/2026
1st Edition
Routledge
€60.00
Shipment within 15-20 days

Natalia Esling
Experiments in Immersive, One-to-One Performance
Understanding Audience Experience through Sensory Engagement
E-Book
08/2024
1st Edition
Routledge
€60.99
Available for download

Natalia Esling
Experiments in Immersive, One-to-One Performance
Understanding Audience Experience through Sensory Engagement
E-Book
08/2024
1st Edition
Routledge
€60.99
Available for download
Person
Natalia Esling is an independent scholar who has done postdoctoral research in Theatre Studies at the University of British Columbia.
Content
Part I: Theorizing, Practising, Framing 1. Setting the Stage 2. Sensitizing Audience Participants (Performance Case Studies) 3. Conceptualizing (the) Dramaturgical Research(er) Part II: Measuring And Evaluating 'Audience Experience' 4. Designing the Performance Research Laboratory 5. Understanding the Impact of Eye Masks 6. Understanding the Impact of Touch 7. Conclusion