
Writing in Red
Literature and Revolution Across Turkey and the Soviet Union
Nergis Ertuerk(Author)
Columbia University Press
Published on 21. May 2024
Book
Hardback
360 pages
978-0-231-21484-1 (ISBN)
Description
The republic of Turkey and the Soviet Union both emerged from the wreckage of empires surrounding World War I, and pathways of literary exchange soon opened between the two revolutionary states. Even as the Turkish government pursued a friendly relationship with the USSR, it began to persecute communist writers. Whether going through official channels or fleeing repression, many Turkish writers traveled to the Soviet Union during the 1920s and 1930s, publishing original work, editing prominent literary journals, and translating both Russian classics and Soviet literature into Turkish.
Writing in Red traces the literary and exilic itineraries of Turkish communist and former communist writers, examining revolutionary aesthetics and politics across Turkey and the Soviet Union from the mid-1920s through the 1960s. Nergis Ertuerk considers a wide range of texts-spanning genres such as erotic comedy, historical fiction and film, and socialist realist novels and theater-by writers including Nazim Hikmet, Vala Nureddin, Nizamettin Nazif, Suat Dervis, and Abidin Dino. She argues that these works belong simultaneously to modern Turkish literature, a transnational Soviet republic of letters, and the global literary archive of world revolution, alongside those of other writers who made the "magic pilgrimage" to Moscow. Exploring how Turkish communist writers on the run produced a remarkable transnational literature of dissent, Writing in Red offers a new account of global revolutionary literary culture.
Writing in Red traces the literary and exilic itineraries of Turkish communist and former communist writers, examining revolutionary aesthetics and politics across Turkey and the Soviet Union from the mid-1920s through the 1960s. Nergis Ertuerk considers a wide range of texts-spanning genres such as erotic comedy, historical fiction and film, and socialist realist novels and theater-by writers including Nazim Hikmet, Vala Nureddin, Nizamettin Nazif, Suat Dervis, and Abidin Dino. She argues that these works belong simultaneously to modern Turkish literature, a transnational Soviet republic of letters, and the global literary archive of world revolution, alongside those of other writers who made the "magic pilgrimage" to Moscow. Exploring how Turkish communist writers on the run produced a remarkable transnational literature of dissent, Writing in Red offers a new account of global revolutionary literary culture.
Reviews / Votes
Writing in Red offers a fascinating and vibrant history of global revolutionary literary culture and modernist aesthetics. Beautifully written, this ambitious and original book is based on impressive research and careful excavation of major Turkish leftist writers and their relationship with Soviet Russia. -- Evgeny Dobrenko, author of <i>Late Stalinism: The Aesthetics of Politics</i> In this marvelously researched book, Nergis Ertuerk draws on the entangled histories of the Russian and Turkish revolutions to make us rethink the boundaries of the literary space created by the calamitous aftermath of the Great War. A remarkable achievement. -- Adeeb Khalid, author of <i>Making Uzbekistan: Nation, Empire, and Revolution in the Early USSR</i> Highlighting a long-occluded literary archive, Ertuerk brilliantly uses the entangled Anatolian and Bolshevik revolutions to unravel persistent binaries such as modernism-realism and nationalism-internationalism. The result is a montage of aesthetic and political projects that together decenter the Soviet republic of letters while smuggling radical futures past into our counterrevolutionary present. -- Steven Lee, author of <i>The Ethnic Avant-Garde: Minority Cultures and World Revolution</i> Showcases the creative range of Turkish literary responses to the promise of world revolution, challenging any account of global leftist literatures as monolithic and formulaic. * Times Literary Supplement *More details
Series
Language
English
Place of publication
New York
United States
Target group
College/higher education
Product notice
Trade binding
Dimensions
Height: 229 mm
Width: 152 mm
ISBN-13
978-0-231-21484-1 (9780231214841)
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Schweitzer Classification
Other editions
Additional editions

E-Book
07/2024
1st Edition
Columbia University Press
€33.99
Available for download
Person
Nergis Ertuerk is associate professor of comparative literature at Pennsylvania State University. She is the author of Grammatology and Literary Modernity in Turkey (2011), which received the Modern Language Association Prize for a First Book, and the editor of the journal Comparative Literature Studies.
Content
A Note on Translation, Transliteration, and Usage
Acknowledgments
Introduction. Revolutionary Entanglements Across Turkey and the Soviet Union: An Overview
Part I. Genres of Entangled Revolutions
1. The Turkish War of Independence in Literature and Film: Limits of Marxist-Leninist Nationalism and Legacies for the Postcolonial Era
2. Va?la? Nureddin's Comic Materialism and the Sexual Revolution
Part II. Marxian Form in the Periphery: Modernist Socialist Realisms
3. The Prostitute Cevriye as Positive Hero: Suat Dervis and the Ethics of the Socialist-Realist Novel
4. Abidin Dino's Peasant Theater and the Soviet Faktura: Estranging Socialist Realism
5. In the Shadow of Lenin: Nazim Hikmet's Prose Poetics of Seriality and the Time of (Post)communism
Conclusion: In the Anteroom of History
Notes
Bibliography
Index
Acknowledgments
Introduction. Revolutionary Entanglements Across Turkey and the Soviet Union: An Overview
Part I. Genres of Entangled Revolutions
1. The Turkish War of Independence in Literature and Film: Limits of Marxist-Leninist Nationalism and Legacies for the Postcolonial Era
2. Va?la? Nureddin's Comic Materialism and the Sexual Revolution
Part II. Marxian Form in the Periphery: Modernist Socialist Realisms
3. The Prostitute Cevriye as Positive Hero: Suat Dervis and the Ethics of the Socialist-Realist Novel
4. Abidin Dino's Peasant Theater and the Soviet Faktura: Estranging Socialist Realism
5. In the Shadow of Lenin: Nazim Hikmet's Prose Poetics of Seriality and the Time of (Post)communism
Conclusion: In the Anteroom of History
Notes
Bibliography
Index