Sublime Desire
History and Post-1960s Fiction
Amy J. Elias(Author)
Johns Hopkins University Press
Published on 18. January 2002
Book
Hardback
352 pages
978-0-8018-6733-0 (ISBN)
Description
Has twentieth-century political violence destroyed faith in historical knowledge? What happens to historical fiction when history is seen as either a form of Western imperialism or a form of postmodern simulation? In Sublime Desire, Amy Elias examines our changing relationship to history and how fiction since 1960 reflects that change. She contends that postmodernism is a post-traumatic imagination that is pulled between two desires: the political desire to acknowledge the physical violence of twentieth-century history, and the yearning for an escape from that history into a ravishing realm of historical certainty. Torn between these desires, both historical fiction and historiography after 1960 redefine history as the "sublime," a territory beyond lived experience that is both unknowable and seductive. In the face of a failure of Enlightenment ideals about knowledge and the West's own history of violence, post-World War II history becomes a desire for the "secular sacred" sublime-for awe, certainty, and belief. Sublime Desire is an eloquent melding of theory and practice.
Mixing the canonical with the unexpected, Elias analyzes developments in the historical romance genre from Walter Scott's novels to novels written today. She correlates developments in the historical romance to similar changes in historiography and philosophy. Sublime Desire draws engagingly on more than thirty relevant texts, from Tolstoy's War and Peace to Jeanette Winterson's Sexing the Cherry, Charles Johnson's Dreamer, and Charles Frazier's Cold Mountain. But the book also examines theories of postmodern space and time and defines the difference between postmodern and postcolonial historical perspectives. The final chapter draws from trauma theory in Holocaust studies to define how fiction can pose an ethical alternative to aestheticized history while remaining open to pluralism and democratic values. In its range and sophistication, Sublime Desire is a valuable addition to postmodernist studies as well as to studies of the historical romance novel.
Mixing the canonical with the unexpected, Elias analyzes developments in the historical romance genre from Walter Scott's novels to novels written today. She correlates developments in the historical romance to similar changes in historiography and philosophy. Sublime Desire draws engagingly on more than thirty relevant texts, from Tolstoy's War and Peace to Jeanette Winterson's Sexing the Cherry, Charles Johnson's Dreamer, and Charles Frazier's Cold Mountain. But the book also examines theories of postmodern space and time and defines the difference between postmodern and postcolonial historical perspectives. The final chapter draws from trauma theory in Holocaust studies to define how fiction can pose an ethical alternative to aestheticized history while remaining open to pluralism and democratic values. In its range and sophistication, Sublime Desire is a valuable addition to postmodernist studies as well as to studies of the historical romance novel.
Reviews / Votes
Sublime Desire constitutes a major contribution to the growing body of work on contemporary historical fiction... a must for those who wonder about the pervasivenessof history in comtemporary literature. -- Luc Herman Review of Contemporary Fiction Elias sets out to deepen our understanding of the ethical and political power of the historical romance, then and now... By the end of the book, however, she gives us much more than a thorough literary history. She gives us an increasingly intense investigation of how we might engage an ethics that resists the modern and the nostalgic. -- Nancy Jesser Southern Humanities Review Fresh perspectives on the relationship between literature and traumatic historical experiences, historical truth and literary imagination, memory and narrative. -- Laura Savu Symploke These arguments are well stated and clear, and Elias's book is worth consulting. -- Jeremy Tambling Yearbook of English Studies Elias not only offers a compelling analysis of postwar fiction but also reconciles much existing postmodern theory... Lucidly written, richly textured, and commandingly researched throughout. -- Timothy Melley Pynchon Notes Elias manages to catch the postmodern intellectual zeitgest. -- Christoph Henke AngliaMore details
Series
Language
English
Place of publication
Baltimore, MD
United States
Target group
Professional and scholarly
Product notice
sewn/stitched
Cloth over boards
Illustrations
2 s/w Zeichnungen
2 Line drawings, black and white
Dimensions
Height: 222 mm
Width: 143 mm
Thickness: 25 mm
Weight
494 gr
ISBN-13
978-0-8018-6733-0 (9780801867330)
DOI
10.56021/9780801867330
Copyright in bibliographic data is held by Nielsen Book Services Limited or its licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

E-Book
05/2003
Johns Hopkins University Press
€42.49
Available for download
Person
Amy J. Elias is an associate professor of English at the University of Alabama, Birmingham.
Content
Contents: Sublime Desire Preface: Postmodernism, history and the Metahistorical Romance The Question of Postmodernism Chapter 1: Sorting Out Connection: The Historical romance in Hyperreality The Historical Novel, Historiography, and Romance The Metahistorical Novel, Romance, and Historiography Chapter 2: The Metahistorical Romance and the Historical Sublime Chapter 3: The Improbability of the Real: Spatializing History in Metahistorical Romances Spatiality and Postmodernism Spatiality and Metahistorical Romance Paratactic vs. Positivistic History Simultaneous History in Flatland Chapter 4: Metamodernity: The Postmodern Turn On the Enlightenment Chapter 5: Western Modernity vs. Postcolonial Metahistory Chapter 6: Coda: The Sot-Weed Factor and Mason & Dixon Notes Works Cited Appendix: A Listing of Metahistorical Romance