
Bloodstained Narratives
The Giallo Film in Italy and Abroad
University Press of Mississippi
Published on 17. April 2023
Book
Hardback
277 pages
978-1-4968-4445-3 (ISBN)
Description
Contributions by Donald L. Anderson, Brian Brems, Eric Brinkman, Matthew Edwards, Brenda S. Gardenour Walter, Andrew Grossman, Lisa Haegele, Gavin F. Hurley, Mikel J. Koven, Sharon Jane Mee, Fernando Gabriel Pagnoni Berns, Emilie von Garan, Connor John Warden, and Sean Woodard
The giallo (yellow) film cycle, characterized by its bloody murders and blending of high art and cinematic sleaze, rose to prominence in Italy in the 1960s and 1970s. Beginning with Mario Bava's The Girl Who Knew Too Much (1963) and Dario Argento's The Bird with the Crystal Plumage (1970), giallo films influenced the American slasher films of the 1980s and attracted an increasingly large fandom.
In Bloodstained Narratives: The Giallo Film in Italy and Abroad, contributors explore understudied aspects of gialli. The chapters introduce readers to a wide range of films, including masterpieces from Argento and overlooked gems, all of them examined in close detail. Rather than understanding giallo as focalized exclusively in Italy in the 1970s, this collection explores the extension of gialli narratives abroad through different geographies and times. This book examines Italian gialli of the 1970s as well as American neo-gialli, French productions, Canadian horror films of the 1980s, and Asian rewritings of this "yellow" cycle of crime/horror films. Bloodstained Narratives also features interviews with two giallo film directors, including cult favorite Antonio Bido. Rather than fading from the cinematic stage, gialli serves as a precursor and steady accomplice to horror-thriller films through the twenty-first century.
The giallo (yellow) film cycle, characterized by its bloody murders and blending of high art and cinematic sleaze, rose to prominence in Italy in the 1960s and 1970s. Beginning with Mario Bava's The Girl Who Knew Too Much (1963) and Dario Argento's The Bird with the Crystal Plumage (1970), giallo films influenced the American slasher films of the 1980s and attracted an increasingly large fandom.
In Bloodstained Narratives: The Giallo Film in Italy and Abroad, contributors explore understudied aspects of gialli. The chapters introduce readers to a wide range of films, including masterpieces from Argento and overlooked gems, all of them examined in close detail. Rather than understanding giallo as focalized exclusively in Italy in the 1970s, this collection explores the extension of gialli narratives abroad through different geographies and times. This book examines Italian gialli of the 1970s as well as American neo-gialli, French productions, Canadian horror films of the 1980s, and Asian rewritings of this "yellow" cycle of crime/horror films. Bloodstained Narratives also features interviews with two giallo film directors, including cult favorite Antonio Bido. Rather than fading from the cinematic stage, gialli serves as a precursor and steady accomplice to horror-thriller films through the twenty-first century.
More details
Series
Language
English
Place of publication
Jackson
United States
Target group
Professional and scholarly
Product notice
Paper over boards
Illustrations
27 b&w illustrations
Dimensions
Height: 235 mm
Width: 157 mm
Thickness: 22 mm
Weight
622 gr
ISBN-13
978-1-4968-4445-3 (9781496844453)
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Schweitzer Classification
Other editions
Additional editions

Matthew Edwards | Fernando Gabriel Pagnoni Berns
Bloodstained Narratives
The Giallo Film in Italy and Abroad
E-Book
03/2023
Princeton University Press
€29.49
Available for download
Persons
Matthew Edwards is an independent film scholar and primary school teacher from Cirencester, England. He is author or editor of many books on cult/horror cinema, including The Atomic Bomb in Japanese Cinema; Klaus Kinski, Beast of Cinema; Twisted Visions: Interviews with Horror Filmmakers; and Murder Movie Makers: Directors Discuss Their Killer Flicks.
Fernando Gabriel Pagnoni Berns is professor at Universidad de Buenos Aires-Facultad de Filosofia y Letras, where he teaches courses on international horror film. He is director of the research group on horror cinema, Grite, authored a book about the Spanish horror TV series Historias para no dormir, and edited a book on director James Wan.
Fernando Gabriel Pagnoni Berns is professor at Universidad de Buenos Aires-Facultad de Filosofia y Letras, where he teaches courses on international horror film. He is director of the research group on horror cinema, Grite, authored a book about the Spanish horror TV series Historias para no dormir, and edited a book on director James Wan.