
Armed Forces
Masculinity and Sexuality in the American War Film
Robert Eberwein(Author)
Rutgers University Press
Will be published approx. on 7. June 2007
Book
Paperback/Softback
216 pages
978-0-8135-4080-1 (ISBN)
Description
In war films, the portrayal of deep friendships between men is commonplace. Given the sexually anxious nature of the American imagination, such bonds are often interpreted as carrying a homoerotic subtext. In Armed Forces , Robert Eberwein argues that an expanded conception of masculinity and sexuality is necessary in order to understand more fully the intricacy of these intense and emotional human relationships. Drawing on a range of examples from silent films such as What Price Glory and Wings to sound era works like The Deer Hunter, Platoon, Three Kings, and Pearl Harbor , he shows how close readings of war films, particularly in relation to their cultural contexts, demonstrate that depictions of heterosexual love, including those in romantic triangles, actually help to define and clarify the nonsexual nature of male love. The book also explores the problematic aspects of masculinity and sexuality when threatened by wounds, as in The Best Years of Our Lives, and considers the complex and persistent analogy between weapons and the male body, as in Full Metal Jacket and Saving Private Ryan .
Reviews / Votes
"Perceptive and engaging, Eberwein's examination of depictions of masculinity in war films goes beyond the commonplace in criticism that merely conflates friendship with homoeroticism-an important topic that will command significant interest." - Stephen Prince (author of Classical Film Violence) "Robert Eberwein's compelling study, Armed Forces, offers and interesting case study of this cultural phenomenon of fluid gender in a context that is traditionally associated with hyper-masculinity. The overall impression of this excellent study is one of a much more complicated gender coded cinema than previously attributed to war films. Professor Eberwein revisits with close analysis many classic war films, enters the murky realm of gender, and yet allows us to understand and appreciate these films without the binary reductions that traditionally shape notions of gender and sexuality." (Film and History)More details
Language
English
Place of publication
New Brunswick NJ
United States
Product notice
Paperback (trade)
Unsewn / adhesive bound
Illustrations
41
Dimensions
Height: 228 mm
Width: 154 mm
Thickness: 17 mm
Weight
358 gr
ISBN-13
978-0-8135-4080-1 (9780813540801)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
Robert Eberwein is Distinguished Professor English at Oakland University, Rochester, Michigan, and the editor of The War Film (Rutgers University Press).
Content
Contents
Acknowledgments
Introduction
1 Paradigms of the Silent Era
2 Beyond Triangles
3 Disavowing Threats
4 Wounds
5 Drag
6 "Don't Ask, Don't Tell"
7 Bodies, Weapons
8 Fathers and Sons
Conclusion: Buddies Then and Now
Notes
Selected Bibliography
Index
Acknowledgments
Introduction
1 Paradigms of the Silent Era
2 Beyond Triangles
3 Disavowing Threats
4 Wounds
5 Drag
6 "Don't Ask, Don't Tell"
7 Bodies, Weapons
8 Fathers and Sons
Conclusion: Buddies Then and Now
Notes
Selected Bibliography
Index