
The Natural History of Film Form
Pansy Duncan(Author)
Edinburgh University Press
Published on 31. October 2025
Book
Paperback/Softback
128 pages
978-1-3995-4825-0 (ISBN)
Description
The Natural History of Film Form argues that, more than simply ingredients in film stock, gelatin, silver and celluloid helped shape early film aesthetics. Drawing on fan and industry periodicals, as well as the testimony of pioneering filmmakers and film manufacturers, the book reveals that the "politico-material" properties of these geo- and bio-physical materials influenced a range of aesthetic regimes - from the turn-of-the century "trick" film, to developments in popular science cinema, to early studio-era fantasies of the "silver screen." In the process, the book offers a fresh perspective on the interplay between "nature" and "culture" in film history.
Reviews / Votes
Forget what you thought you knew about film stock. More than simply the material support for filmed images, celluloid becomes, in Duncan's incisive history and adventurous readings, an active agent in early film aesthetics. Read this book for its vital contribution to reconnecting material history and visual form. * - Brian Jacobson, author of The Cinema of Extractions: Film Materials and Their Forms *More details
Series
Language
English
Place of publication
Edinburgh
United Kingdom
Target group
Professional and scholarly
Product notice
Paperback (trade)
Unsewn / adhesive bound
Illustrations
7 black and white
Dimensions
Height: 216 mm
Width: 140 mm
Thickness: 7 mm
Weight
154 gr
ISBN-13
978-1-3995-4825-0 (9781399548250)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
Pansy Duncan is a senior lecturer in the Media Studies programme at Massey University, Auckland, where she writes on the politics of film and media aesthetics in both contemporary and historical contexts. She is also the author of The Emotional Life of Postmodern Film (2016) and the co-author, with Missy Molloy and Claire Henry, of Screening the Posthuman (2023).
Content
List of Figures
Acknowledgements
Introduction
1. CelluloidTM: the Material Prehistory of the Plastic Image
2. Infected Gelatin and the Bacterial Life of Popular Science Cinema
3. Silver Salts and the Aesthetics of Early Studio-Era Hollywood Cinema
Conclusion: Lithium Aesthetics
Bibliography
Index
Acknowledgements
Introduction
1. CelluloidTM: the Material Prehistory of the Plastic Image
2. Infected Gelatin and the Bacterial Life of Popular Science Cinema
3. Silver Salts and the Aesthetics of Early Studio-Era Hollywood Cinema
Conclusion: Lithium Aesthetics
Bibliography
Index