
Romantic Adaptations
Essays in Mediation and Remediation
Routledge (Publisher)
1st Edition
Published on 28. November 2013
Book
Hardback
186 pages
978-1-4724-1410-6 (ISBN)
Description
How did romanticism define its relationship with its sources? How has romanticism since been understood and misunderstood across a range of cultural activities? These are among the questions taken up in this reexamination of the place of adaptation within romanticism. Renegotiating the cultural topography of the period and the place of romanticism in subsequent cultural history, the volume focuses on the adaptation of source material by romantic writers and the adaptation in subsequent periods of the tropes and ideologies associated with romanticism. In place of a hierarchical distinction between source and text, between 'romanticism' and its contexts, the collection identifies distinct but overlapping and mutually constitutive genres such as the Gothic and romance. Whether their essays deal with early nineteenth-century periodical reviews, affordable editions of Pride and Prejudice aimed at the late nineteenth-century mass audience, or the ongoing cultural presence of romanticism in late twentieth- and early twenty-first-century debates about embryology and stem cell research, the contributors remain cognizant of the tension between the processes of adaptation and the apparent ideology of romantic originality.
Reviews / Votes
'The very idea of a collection of essays on the topic 'romantic adaptations' - counter-intuitive for an era whose ideology of originality is infamous - makes this an appealingly contrarian volume from the start. It is well set-up by an able critical, theoretical, and historical introduction that deconstructs various commonly accepted hierachies: those of 'original' source material and adaptation, as well as high art and popular culture.' BARS ReviewMore details
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
Professional and scholarly
Academic
Dimensions
Height: 240 mm
Width: 161 mm
Thickness: 15 mm
Weight
458 gr
ISBN-13
978-1-4724-1410-6 (9781472414106)
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Schweitzer Classification
Other editions
Additional editions

Book
10/2024
1st Edition
Routledge
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Shipment within 10-20 days

E-Book
04/2016
Routledge
€53.99
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E-Book
04/2016
Routledge
€53.99
Available for download
Persons
Cian Duffy is Reader in English Literature, Peter Howell is Senior Lecturer in English Literature and Caroline Ruddell is Senior Lecturer in Film and Popular Culture at St. Mary's University College, UK.
Content
Introduction, Cian Duffy, Peter Howell, Caroline Ruddell; Chapter 1 'Reason in China is not Reason in England', Peter Kitson; Chapter 2 Through a Glass Darkly, Joseph Crawford; Chapter 3 Adapting Rights, James Vigus; Chapter 4 Adapting to Dissect, Matthew Sangster; Chapter 5 The Miniature Sublime, Michael Bradshaw; Chapter 6 The Beauties of Byron and Shelley, Daniel Cook; Chapter 7 'In perfect volume form, Price Sixpence', Annika Bautz; Chapter 8 The Imprisonment of Foucault, Peter Howell; Chapter 9 The Monstrous Hybrid as Object of Scientific Experiment, Allyson Purcell-Davis;