
"We Didn't Start the Fire"
Billy Joel and Popular Music Studies
Lexington Books (Publisher)
Published on 21. December 2021
Book
Paperback/Softback
260 pages
978-1-7936-0183-4 (ISBN)
Description
Billy Joel has sold over 150 million records, produced thirty-three Top-40 hits, received six Grammy Awards, and been inducted into the Rock and Roll Hall of Fame. Fans celebrate him, critics deride him, and scholars have all but ignored him. This first-of-its-kind collection of essays offers close analysis and careful insight into the ways his work has impacted popular music during the last fifty years. Using diverse approaches, this volume serves as a model for how any scholar can approach the study of popular music. Ultimately, these chapters interrogate how popular music frames our experiences, constitutes our history and culture, and gains importance in our daily lives.
Reviews / Votes
Duchan and Ban~agale have brought together 12 essays on musician Billy Joel (b. 1949), preceded by an introduction and a brief foreword by Joel. Though there have been many biographies of Joel, this is a valuable addition to the scholarship. . . The book concludes with Ban~agale and Duchan's 2016 interview with Joel. Many of the essays include music transcriptions. A discography lists Joel's dozen solo studio albums; bibliographical references stand in for a bibliography. This is a useful addition to the literature on Joel's musical heritage. Recommended. * Choice Reviews * Ultimately, I leave the interpretation of my music to others. I've said all I can, in the music and in interviews. I'm flattered that the last few years have seen an increase in interest in my music on the part of musicologists and other scholars, seeking better understandings of my songs and their place in American history and culture. If that all continues, great. And the chapters in this book are a very good place to start. -from the Foreword by -- Billy Joel A wide-ranging look at the work of a pop master. This illuminating collection of essays offers diverse perspectives on Joel's music, making a compelling scholarly case for his legacy as one of rock's great songwriters and performers. -- Albin Zak, University at Albany We learn from many insightful perspectives how to fully appreciate Joel's intriguing body of work. The writers have geared their presentations for the non-specialist reader, a great feat given the multileveled complexity of the lyrics, music, and sonics in Joel's catalog. The collection is topped-off with a penetrating discussion with The Man himself-Bravi! -- Walter Everett, The University of MichiganMore details
Series
Language
English
Place of publication
United States
Publishing group
Bloomsbury Publishing Plc
Target group
Professional and scholarly
Illustrations
15 b/w illustrations;2 b/w photos; 6 tables;
Dimensions
Height: 229 mm
Width: 152 mm
Thickness: 14 mm
Weight
385 gr
ISBN-13
978-1-7936-0183-4 (9781793601834)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

We Didn't Start the Fire
Billy Joel and Popular Music Studies
E-Book
08/2020
1st Edition
Lexington Books
€38.49
Available for download
Persons
Joshua S. Duchan is associate professor of music and director of graduate studies in the Department of Music at Wayne State University.
Ryan Raul Banagale is associate professor of music and director of performing arts at Colorado College.
Ryan Raul Banagale is associate professor of music and director of performing arts at Colorado College.
Editor
Contributions
Foreword
Content
Foreword by Billy Joel
Introduction: "The Stranger": Locating Billy Joel in Popular Music Studies
Ryan Raul Banagale and Joshua S. Duchan
Part I: "Somewhere Along the Line": Considering Tradition
Chapter One: From Liverpool to Hicksville: Sgt. Pepper Meets The Nylon Curtain
Joshua S. Duchan
Chapter Two: Movin' Out on Thunder Road: Images of Ambition, Escape, and Authenticity in Billy Joel and Bruce Springsteen
John J. Sheinbaum
Part II: "This Is the Time": Performance Analysis
Chapter Three: Billy Joel, Piano Culture, and Rock's Road Not Taken
Jonathan D. Bellman
Chapter Four: Form, Lyrics, and the "Short-Short-Long" Pattern in Billy Joel's Music
Don Traut
Part III: "You're My Home": Imagined Locations
Chapter Five: "The Downeaster 'Alexa'": Billy Joel Signifies Folk
Morgan Jones
Chapter Six: "Nothing Rhymes With Bethlehem": City Branding Schemes and the Strategic Deployment of Billy Joel's "Allentown"
Sarah Messbauer
Part IV: "Stop in Nevada": Live Performance
Chapt
Introduction: "The Stranger": Locating Billy Joel in Popular Music Studies
Ryan Raul Banagale and Joshua S. Duchan
Part I: "Somewhere Along the Line": Considering Tradition
Chapter One: From Liverpool to Hicksville: Sgt. Pepper Meets The Nylon Curtain
Joshua S. Duchan
Chapter Two: Movin' Out on Thunder Road: Images of Ambition, Escape, and Authenticity in Billy Joel and Bruce Springsteen
John J. Sheinbaum
Part II: "This Is the Time": Performance Analysis
Chapter Three: Billy Joel, Piano Culture, and Rock's Road Not Taken
Jonathan D. Bellman
Chapter Four: Form, Lyrics, and the "Short-Short-Long" Pattern in Billy Joel's Music
Don Traut
Part III: "You're My Home": Imagined Locations
Chapter Five: "The Downeaster 'Alexa'": Billy Joel Signifies Folk
Morgan Jones
Chapter Six: "Nothing Rhymes With Bethlehem": City Branding Schemes and the Strategic Deployment of Billy Joel's "Allentown"
Sarah Messbauer
Part IV: "Stop in Nevada": Live Performance
Chapt