The Actor and the Space
Published on 14. March 2024
Book
Paperback/Softback
240 pages
978-1-83904-300-0 (ISBN)
Description
'There is no acting, only reacting to the space.'
In his bestselling book The Actor and the Target, Declan Donnellan laid out a fresh and radical approach to acting that has inspired actors around the world.
Now, in The Actor and the Space, he develops and extends those ideas, exploring that most profound source of vitality in life as well as performance: the space around us.
Tackling fundamental questions that face any actor - What makes performance better? How do I create a space for my character to live in? How do I tap into that space, and draw energy from it? - Donnellan offers a universal set of keys to unlock the mysteries of performance.
Full of insightful precepts, acute psychology and practical, hands-on advice, the book presents a bold new way of thinking about acting, illustrated throughout with line-by-line analysis of scenes from Macbeth to show how it works in rehearsal and performance.
Essential reading for any actor or theatre director, The Actor and the Space is also a fascinating distillation of the work of a world-leading director that will reward and enrich anyone with an interest in theatre.
'A hand grenade of a book. It contains all the humility and chutzpah you need to work in the theatre.' Cate Blanchett
'A wonderful book. Few directors think as deeply or perceptively about the art of acting as Declan Donnellan. This is an essential text for the actor, supremely useful, practical, elegant and profound.' Matthew Macfadyen
'Beautifully clear. This generous vision takes a very complex art form and makes it all seem so simple. The whole book is a key. Unlocking the problems actors face as they try to accept another reality long enough to let the audience get a glimpse of the best our art can offer - a glimpse into themselves.' Adrian Lester
'Declan Donnellan's profound insight and point of departure is that great theatre, like a child's sandcastle, inhabits a vulnerable and ever-changing space between the safe and the dangerous. There is a whole lot of wisdom in this book - about tragedy, human psychology, words, dread and about how great acting really works - conveyed with remarkable clarity and simplicity. It's worth sharing with non-actor friends for its insights into Macbeth alone. Most of all, it's a distillation of hard-won lessons learned from decades of immersion in the mysteries of theatre by one of the great directors of our day.' James Shapiro, Shakespeare scholar and author of 1599: A Year in the Life of William Shakespeare
In his bestselling book The Actor and the Target, Declan Donnellan laid out a fresh and radical approach to acting that has inspired actors around the world.
Now, in The Actor and the Space, he develops and extends those ideas, exploring that most profound source of vitality in life as well as performance: the space around us.
Tackling fundamental questions that face any actor - What makes performance better? How do I create a space for my character to live in? How do I tap into that space, and draw energy from it? - Donnellan offers a universal set of keys to unlock the mysteries of performance.
Full of insightful precepts, acute psychology and practical, hands-on advice, the book presents a bold new way of thinking about acting, illustrated throughout with line-by-line analysis of scenes from Macbeth to show how it works in rehearsal and performance.
Essential reading for any actor or theatre director, The Actor and the Space is also a fascinating distillation of the work of a world-leading director that will reward and enrich anyone with an interest in theatre.
'A hand grenade of a book. It contains all the humility and chutzpah you need to work in the theatre.' Cate Blanchett
'A wonderful book. Few directors think as deeply or perceptively about the art of acting as Declan Donnellan. This is an essential text for the actor, supremely useful, practical, elegant and profound.' Matthew Macfadyen
'Beautifully clear. This generous vision takes a very complex art form and makes it all seem so simple. The whole book is a key. Unlocking the problems actors face as they try to accept another reality long enough to let the audience get a glimpse of the best our art can offer - a glimpse into themselves.' Adrian Lester
'Declan Donnellan's profound insight and point of departure is that great theatre, like a child's sandcastle, inhabits a vulnerable and ever-changing space between the safe and the dangerous. There is a whole lot of wisdom in this book - about tragedy, human psychology, words, dread and about how great acting really works - conveyed with remarkable clarity and simplicity. It's worth sharing with non-actor friends for its insights into Macbeth alone. Most of all, it's a distillation of hard-won lessons learned from decades of immersion in the mysteries of theatre by one of the great directors of our day.' James Shapiro, Shakespeare scholar and author of 1599: A Year in the Life of William Shakespeare
Reviews / Votes
'Declan Donnellan succeeds at describing the indescribable, putting the ephemeral art of acting on paper in another gem of a book... A light in the dark... Essential and concise. It's a liberating read whether you perform or merely have a curious disposition' * Broadway World * 'Very readable... replete with ideas for helping create the fertile space needed during rehearsals and will be welcomed not only by actors and directors alike, but also by the theatregoing public who might be interested in what goes on "under the bonnet" as a script becomes a living thing on a stage with the potential to move and delight' * StageTalk Magazine * 'A fascinating read... some really wonderful quotes... engages the reader on a deeper level of understanding... it is the engagement with all elements of the space that is at the heart of finding and discovering text and character' * Word Matters (Journal of the Society of Teachers of Speech and Drama) * 'What makes Donnellan's advice stand out is that it both enthuses, and also gives you some eminently usable and effective tools you can put into practice - and see the positive results - immediately... one of those very, very rare magical beasts... collected wisdom from dealing with acting as a craft... reading this book has made me feel like I could walk into a rehearsal room tomorrow and feel well-armed' * The Broken Spine * 'Declan Donnellan succeeds at describing the indescribable, putting the ephemeral art of acting on paper in another gem of a book... A light in the dark... Essential and concise. It's a liberating read whether you perform or merely have a curious disposition' * Broadway World * 'Very readable... replete with ideas for helping create the fertile space needed during rehearsals and will be welcomed not only by actors and directors alike, but also by the theatregoing public who might be interested in what goes on "under the bonnet" as a script becomes a living thing on a stage with the potential to move and delight' * StageTalk Magazine * 'A fascinating read... some really wonderful quotes... engages the reader on a deeper level of understanding... it is the engagement with all elements of the space that is at the heart of finding and discovering text and character' * Word Matters (Journal of the Society of Teachers of Speech and Drama) * 'What makes Donnellan's advice stand out is that it both enthuses, and also gives you some eminently usable and effective tools you can put into practice - and see the positive results - immediately... one of those very, very rare magical beasts... collected wisdom from dealing with acting as a craft... reading this book has made me feel like I could walk into a rehearsal room tomorrow and feel well-armed' * The Broken Spine *More details
Language
English
Place of publication
London
United Kingdom
Product notice
Die-cut book
With flaps
Dimensions
Height: 213 mm
Width: 133 mm
Thickness: 24 mm
Weight
308 gr
ISBN-13
978-1-83904-300-0 (9781839043000)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Person
Born of Irish parents, Declan Donnellan grew up in London, and formed Cheek by Jowl with his partner Nick Ormerod in 1981. A focus on the actor's art has always been central to the company's work. Cheek by Jowl now performs in several languages with companies of actors in Spain, Italy, France, Russia, Romania and Bulgaria.
Donnellan's work has been seen across the Globe including his iconic As You Like It, Ubu Roi, and Boris Godunov.
As Associate Director of the National Theatre, his productions included Fuenteovejuna, Sweeney Todd and the British premiere of both parts of Angels in America.
He has staged work for the Royal Shakespeare Company, the Bouffes Du Nord and the Avignon Festival.
Opera includes Falstaff at the Salzburg Festival and ballet, Romeo and Juliet and Hamlet for the Bolshoi. With Nick Ormerod he co-directed the feature film of Bel Ami.
His first book, The Actor and the Target, was first published in Russia in 2002 - before being published in Britain and the United States, and translated into fourteen foreign languages.
He has been invited to teach and give workshops in many countries, and has received awards in Moscow, Paris, London and New York. He is a Chevalier de l'Ordre des Arts et des Lettres, and in 2016 for his work on the art of acting was given the Golden Lion of Venice.
Donnellan's work has been seen across the Globe including his iconic As You Like It, Ubu Roi, and Boris Godunov.
As Associate Director of the National Theatre, his productions included Fuenteovejuna, Sweeney Todd and the British premiere of both parts of Angels in America.
He has staged work for the Royal Shakespeare Company, the Bouffes Du Nord and the Avignon Festival.
Opera includes Falstaff at the Salzburg Festival and ballet, Romeo and Juliet and Hamlet for the Bolshoi. With Nick Ormerod he co-directed the feature film of Bel Ami.
His first book, The Actor and the Target, was first published in Russia in 2002 - before being published in Britain and the United States, and translated into fourteen foreign languages.
He has been invited to teach and give workshops in many countries, and has received awards in Moscow, Paris, London and New York. He is a Chevalier de l'Ordre des Arts et des Lettres, and in 2016 for his work on the art of acting was given the Golden Lion of Venice.