
Ground Work
Writings on People and Places
Tim Dee(Author)
Jonathan Cape (Publisher)
Published on 1. March 2018
Book
Hardback
288 pages
978-1-910702-71-0 (ISBN)
Description
We are living in the anthropocene - an epoch where everything is being determined by the activities of just one soft-skinned, warm-blooded, short-lived, pedestrian species. How best to make our way through the ruins that we have made?
This anthology of commissioned work tries to answer this as it explores new and enduring cultural landscapes, in a celebration of local distinctiveness that includes new work from some of our finest writers. We have memories of childhood homes from Adam Thorpe, Marina Warner and Sean O'Brien; we journey with John Burnside to the Arizona desert, with Hugh Brody to the Canadian Arctic; going from Tessa Hadley's hymn to her London garden to caving in the Mendips with Sean Borodale to shell-collecting on a Suffolk beach with Julia Blackburn.
Helen Macdonald, in her remarkable piece on growing up in a 50-acre walled estate, reflects on our failed stewardship of the planet: 'I take stock.' she says, 'During this sixth extinction, we who may not have time to do anything else must write now what we can, to take stock.' This is an important, necessary book.
This anthology of commissioned work tries to answer this as it explores new and enduring cultural landscapes, in a celebration of local distinctiveness that includes new work from some of our finest writers. We have memories of childhood homes from Adam Thorpe, Marina Warner and Sean O'Brien; we journey with John Burnside to the Arizona desert, with Hugh Brody to the Canadian Arctic; going from Tessa Hadley's hymn to her London garden to caving in the Mendips with Sean Borodale to shell-collecting on a Suffolk beach with Julia Blackburn.
Helen Macdonald, in her remarkable piece on growing up in a 50-acre walled estate, reflects on our failed stewardship of the planet: 'I take stock.' she says, 'During this sixth extinction, we who may not have time to do anything else must write now what we can, to take stock.' This is an important, necessary book.
Reviews / Votes
Tim Dee has brought together a wondrous array of talent for this life-affirming, often magical, anthology of nature writing. -- Katharine Norbury * Observer * This superb anthology is a paean to spirit of place in dislocated times... And it is a trove. -- Barbara Kiser * Nature * The anthology for me became a kind of pilgrimage: Canterbury Tales with Tim Dee leading his merry band to the new Common Ground site in Dorset... This collection about how to live lightly in the world and care deeply for its future... is overwhelmingly a message of hope. -- Sue Brooks * Caught by the River **Book of the Month** * In Ground Work, Tim Dee has collated... An amazing vein of prose from some of the best nature and landscape writers around... A truly excellent book. -- Paul Cheney * Nudge * Dee, who has the eyes of a birdwatcher, the ears of a radio producer and the soul of a poet, has gathered... this wonderful anthology. -- Michael Kerr * Daily Telegraph *More details
Language
English
Place of publication
London
United Kingdom
Publishing group
Vintage Publishing
Dimensions
Height: 240 mm
Width: 162 mm
Thickness: 28 mm
Weight
524 gr
ISBN-13
978-1-910702-71-0 (9781910702710)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
Tim Dee has been a birdwatcher all his life. His first book, The Running Sky (2009), described his first five birdwatching decades. In the same year he collaborated with the poet Simon Armitage on the anthology The Poetry of Birds. Since then he has written and edited several critically acclaimed books: Four Fields (2013), a study of modern pastoral, which was shortlisted for the 2014 Ondaatje Prize; Ground Work (as editor, 2017), a collection of new commissioned writing on place by contemporary writers; and most recently, Landfill (2018), a modern nature-junk monograph on gulls and rubbish. He left the BBC in 2018 having worked as a radio producer for nearly thirty years. He lives in three places: in a flat in inner-city Bristol, in a cottage on the edge of the Cambridgeshire Fens, and in the last-but-one house from the south western tip of Africa, at the Cape of Good Hope.