
Dancing Many Drums
Excavations in African American Dance
Thomas F. DeFrantz(Editor)
University of Wisconsin Press
Published on 31. March 2002
Book
Paperback/Softback
352 pages
978-0-299-17314-2 (ISBN)
Description
Few will dispute the profound influence that African American music and movement has had in American and world culture. ""Dancing Many Drums"" explores that influence through a groundbreaking collection of essays on African American dance history, theory and practice. In so doing, it reevalautes ""black"" and ""African American"" as both racial and dance categories. Abundantly illustrated, the volume includes images of a wide variety of dance forms and performers, from ring shouts, vaudeville and social dances to professional dance companies and Hollywood movie dancing. Bringing together issues of race, gender, politics, history and dance, ""Dancing Many Drums"" ranges widely, including discussions of dance instruction songs, the blues aesthetic, and Katherine Dunham's controversial ballet about lynching, ""Southland"". In addition, there are two photo essays: the first on African dance in New York by noted dance photographer Mansa Mussa, and another on 1934 ""African opera"" ""Kykunkor, or the Witch Woman"".
More details
Series
Language
English
Place of publication
Wisconsin
United States
Target group
College/higher education
Professional and scholarly
Product notice
Paperback (trade)
Unsewn / adhesive bound
Illustrations
73 b&w photograhs, 2 illustrations
Dimensions
Height: 230 mm
Width: 154 mm
Thickness: 22 mm
Weight
521 gr
ISBN-13
978-0-299-17314-2 (9780299173142)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
Thomas F. DeFrantz is associate professor of music and theater arts at the Massachusetts Institute of Technology. In addition to scholarly articles, he has written on dance for the Village Voice and Philadelphia Inquirer. He is a dancer and choreographer and directs the dance history program at the Alvin Ailey American Dance Center.