
Graphic Design Theory
Meredith Davis(Author)
Thames & Hudson Ltd (Publisher)
Published on 17. September 2012
Book
Paperback/Softback
256 pages
978-0-500-29049-1 (ISBN)
Description
This textbook combines an analysis of historical thinking about design with contemporary critical theory. Throughout, explanations are linked to visual concepts, so the book is useful for studio instruction as well as freestanding lecture courses on history or theory. Promoting rigorous thinking as well as practical and technical proficiency, it encourages students to critique the professional design work they encounter, as well as their own studio practice. New thinking about graphic design, uniting a historical perspective with an essential critical background, is made accessible to students-this thinking would otherwise be available only in diverse and unsuitable readings.
More details
Language
English
Place of publication
United Kingdom
Product notice
Paperback (trade)
Illustrations
72 Illustrations, black and white; 188 Illustrations, color
Dimensions
Height: 269 mm
Width: 210 mm
Thickness: 22 mm
Weight
1059 gr
ISBN-13
978-0-500-29049-1 (9780500290491)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
Meredith Davis is Professor of Graphic Design and Director of Graduate Programs in Graphic Design at North Carolina State University, where she has taught since 1989. For ten years she was Chair of the Department of Graphic Design. She is a former director of the American Institute of Graphic Arts, the Graphic Design Education Association, and the American Center for Design. Through her research, teaching, and role as an adviser on college curricula, Davis has helped shape design education across the United States.
Content
Part 1: Laying the Groundwork: 1 Communication Models: Representing Thought and Action * 2 The Nature of Representation: What and How Things Mean * 3 The Dimensions of Context * Part 2: Theory from 1900 to the Present: * 4 The Language of the Visual World * 5 Modernism: The Utopian Vision * 6 Post-Modernism: Reading the World as Texts * 7 A New Paradigm: Designing Experiences, Not Objects