
The Flatlanders
Now It's Now Again
John T. Davis(Author)
University of Texas Press
Published on 20. October 2014
Book
Paperback/Softback
228 pages
978-0-292-74554-4 (ISBN)
Description
A group of three friends who made music in a house in Lubbock, Texas, recorded an album that wasn't released and went their separate ways into solo careers. That group became a legend and then-twenty years later-a band. The Flatlanders-Joe Ely, Jimmie Dale Gilmore, and Butch Hancock-are icons in American music, with songs blending country, folk, and rock that have influenced a long list of performers, including Robert Earl Keen, the Cowboy Junkies, Ryan Bingham, Terry Allen, John Hiatt, Hayes Carll, Lucinda Williams, Steve Earle, and Lyle Lovett.
In The Flatlanders: Now It's Now Again, Austin author and music journalist John T. Davis traces the band's musical journey from the house on 14th Street in Lubbock to their 2013 sold-out concert at Carnegie Hall. He explores why music was, and is, so important in Lubbock and how earlier West Texas musicians such as Buddy Holly and Roy Orbison, as well as a touring Elvis Presley, inspired the young Ely, Gilmore, and Hancock. Davis vividly recreates the Lubbock countercultural scene that brought the Flatlanders together and recounts their first year (1972-1973) as a band, during which they recorded the songs that, decades later, were released as the albums More a Legend Than a Band and The Odessa Tapes. He follows the three musicians through their solo careers and into their first decade as a (re)united band, in which they cowrote songs for the first time on the albums Now Again and Hills and Valleys and recovered their extraordinary original demo tape, lost for forty years. Many roads later, the Flatlanders are finally both a legend and a band.
In The Flatlanders: Now It's Now Again, Austin author and music journalist John T. Davis traces the band's musical journey from the house on 14th Street in Lubbock to their 2013 sold-out concert at Carnegie Hall. He explores why music was, and is, so important in Lubbock and how earlier West Texas musicians such as Buddy Holly and Roy Orbison, as well as a touring Elvis Presley, inspired the young Ely, Gilmore, and Hancock. Davis vividly recreates the Lubbock countercultural scene that brought the Flatlanders together and recounts their first year (1972-1973) as a band, during which they recorded the songs that, decades later, were released as the albums More a Legend Than a Band and The Odessa Tapes. He follows the three musicians through their solo careers and into their first decade as a (re)united band, in which they cowrote songs for the first time on the albums Now Again and Hills and Valleys and recovered their extraordinary original demo tape, lost for forty years. Many roads later, the Flatlanders are finally both a legend and a band.
Reviews / Votes
Davis packs a wealth of material into this book, drawing on his considerable insight into the American music scene. It's an enjoyable read, highlighting an oft-overlooked contribution to the development of Americana. (R2)More details
Series
Language
English
Place of publication
Austin, TX
United States
Dimensions
Height: 203 mm
Width: 127 mm
Thickness: 15 mm
Weight
254 gr
ISBN-13
978-0-292-74554-4 (9780292745544)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

E-Book
10/2014
1st Edition
University of Texas Press
from
€34.99
Available for download
Person
The author of Austin City Limits: 25 Years of American Music, John T. Davis has written about the music, personalities, and culture of Texas and the Southwest for numerous publications, including the Austin American-Statesman, Austin Chronicle, Austin Monthly, Texas Monthly, Texas Highways, San Antonio magazine, Billboard, Newsday, and the website culturemap.com. He has been interviewed by VH-1, CMT, and NPR and has appeared in the documentary film Lubbock Lights.
Content
Acknowledgments
Introduction
Part One: The Land
Chapter 1: The Llano
Chapter 2: The City
Chapter 3: The Invasion
Chapter 4: The House
Part Two: The Men, First Verse
Chapter 5: Joe, Jimmie, and Butch, Part 1
Chapter 6: CompaNeros
Part Three: The Music
Chapter 7: Genesis
Chapter 8: More a Legend
Chapter 9: Diaspora
Part Four: The Men, Second Verse
Chapter 10: Joe, Jimmie, and Butch, Part 2
Part Five: The Return
Chapter 11: More a Band
Chapter 12: Alchemy: Now Again
Chapter 13: Cruising Speed: Wheels of Fortune/Live '72
Chapter 14: Dust to Dust: Hills and Valleys
Chapter 15: Closing the Circle: The Odessa Tapes
Epilogue: Carnegie Hall: Practice, Practice, Practice
Discography
Introduction
Part One: The Land
Chapter 1: The Llano
Chapter 2: The City
Chapter 3: The Invasion
Chapter 4: The House
Part Two: The Men, First Verse
Chapter 5: Joe, Jimmie, and Butch, Part 1
Chapter 6: CompaNeros
Part Three: The Music
Chapter 7: Genesis
Chapter 8: More a Legend
Chapter 9: Diaspora
Part Four: The Men, Second Verse
Chapter 10: Joe, Jimmie, and Butch, Part 2
Part Five: The Return
Chapter 11: More a Band
Chapter 12: Alchemy: Now Again
Chapter 13: Cruising Speed: Wheels of Fortune/Live '72
Chapter 14: Dust to Dust: Hills and Valleys
Chapter 15: Closing the Circle: The Odessa Tapes
Epilogue: Carnegie Hall: Practice, Practice, Practice
Discography