Emblem, Iconography, and Drama
Will be published approx. on 1. July 1995
Book
Paperback/Softback
188 pages
978-1-879288-57-7 (ISBN)
Description
Eight iconographic studies by American, Australian, and British scholars that focus on Shakespeare and his contemporaries and on the interconnectedness of their art with the visual language of their time. Reprinted from Comparative Drama.
More details
Series
Edition
New edition
Language
English
Place of publication
United States
Target group
Professional and scholarly
Edition type
New edition
Product notice
Unsewn / adhesive bound
Illustrations
34 Line drawings, unspecified; 4 Illustrations, black and white
Dimensions
Height: 229 mm
Width: 152 mm
Thickness: 10 mm
Weight
260 gr
ISBN-13
978-1-879288-57-7 (9781879288577)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
Clifford Davidson is professor emeritus of English and Medieval Studies at Western Michigan University. Luis R. Gamez was a professor of English at Western Michigan University until 2002. John H. Stroupe is professor emeritus at Western Michigan University.
Content
Preface by Luis Gamez
Temperance and the End of Time: Emblematic Antony and Cleopatra by Christopher Wortham
The Masks of Cupid and Death by Judith Dundas
"Sweet Power of Music": The Political Magic of "the Miraculous Harp" in Shakespeare's The Tempest by Peggy Munoz Simonds
Spring and Winter in Love's Labor's Lost: An Iconographic Reconstruction by Frederick Kiefer
Jonson and the Emblematic Tradition: Ralegh, Brant, the Poems, The Alchemist, and Volpone by Robert C. Evans
Speaking Sweat: Emblems in the Plays of John Ford by Lisa Hopkins
Emblematic Pictures for the Less Privileged in Shakespeare's England by Elizabeth Truax
Quarles as Dramatist by Elizabeth K. Hill
Temperance and the End of Time: Emblematic Antony and Cleopatra by Christopher Wortham
The Masks of Cupid and Death by Judith Dundas
"Sweet Power of Music": The Political Magic of "the Miraculous Harp" in Shakespeare's The Tempest by Peggy Munoz Simonds
Spring and Winter in Love's Labor's Lost: An Iconographic Reconstruction by Frederick Kiefer
Jonson and the Emblematic Tradition: Ralegh, Brant, the Poems, The Alchemist, and Volpone by Robert C. Evans
Speaking Sweat: Emblems in the Plays of John Ford by Lisa Hopkins
Emblematic Pictures for the Less Privileged in Shakespeare's England by Elizabeth Truax
Quarles as Dramatist by Elizabeth K. Hill