X-Factor by Peter David Omnibus Vol. 1 (New Printing)
Will be published approx. on 29. July 2025
Book
Hardback
848 pages
978-1-302-96370-5 (ISBN)
Description
Industry titan Peter David transformed X-Factor into one of Marvel's most popular titles of the era, and this omnibus collects his first, transformative X-FACTOR run in one volume!
Havok, Polaris, Quicksilver, Multiple Man, Wolfsbane and Strong Guy are the all-new, all-different X-Factor! Sanctioned by the U.S. government to protect humans from mutants — and vice versa — they take on threats including Mister Sinister and his Nasty Boys, the Mutant Liberation Front, and…the Incredible Hulk?! But their most challenging encounter is on the couch of super hero psychiatrist Doc Samson! Whether it’s battling the Brotherhood of Evil Mutants in the shadow of Genosha or clashing with X-Force during the X-Cutioner’s Song saga, this unlikely band of heroes has team chemistry like nothing you’ve ever seen — and a unique style of humor that makes this series a true classic!
COLLECTING: X-Factor (1986) 55, 70-92; X-Factor Annual (1986) 7-8; Incredible Hulk (1968) 390-392; material from X-Factor Annual (1986) 5-6, New Mutants Annual (1984) 6
Havok, Polaris, Quicksilver, Multiple Man, Wolfsbane and Strong Guy are the all-new, all-different X-Factor! Sanctioned by the U.S. government to protect humans from mutants — and vice versa — they take on threats including Mister Sinister and his Nasty Boys, the Mutant Liberation Front, and…the Incredible Hulk?! But their most challenging encounter is on the couch of super hero psychiatrist Doc Samson! Whether it’s battling the Brotherhood of Evil Mutants in the shadow of Genosha or clashing with X-Force during the X-Cutioner’s Song saga, this unlikely band of heroes has team chemistry like nothing you’ve ever seen — and a unique style of humor that makes this series a true classic!
COLLECTING: X-Factor (1986) 55, 70-92; X-Factor Annual (1986) 7-8; Incredible Hulk (1968) 390-392; material from X-Factor Annual (1986) 5-6, New Mutants Annual (1984) 6
More details
Language
English
Place of publication
New York
United States
Product notice
Laminated cover
Illustrations
848 Illustrations
Dimensions
Height: 283 mm
Width: 192 mm
Thickness: 43 mm
Weight
2296 gr
ISBN-13
978-1-302-96370-5 (9781302963705)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
Peter David is one of the industry’s most prolific and versatile writers whose record-breaking stint on Incredible Hulk remains a fan-favorite to this day. His similarly long-running — and critically acclaimed — association with X-Factor began in the early 1990s and continued in 2005. His other Marvel work includes Captain Marvel, two lengthy stints on Spider-Man 2099, Ben Reilly: Scarlet Spider and the smash-hit Symbiote Spider-Man limited series with artist Greg Land. David is also a novelist and screenwriter. Among his credits are some forty Star Trek tie-ins; original novels such as Sir Apropos of Nothing, Howling Mad and Knight Life; movies Trancers 4 and Trancers 5; and episodes of Babylon 5 and Crusade. He also co-created the TV show Space Cases with actor-writer Bill Mumy.
Larry Stroman penciled X-Factor during the early ’90s before beginning work on his creator-owned title Tribe. His work on notable comics characters includes Uncanny X-Men, Black Panther and the Heroes Reborn version of Iron Man for Marvel; DC’s Darkstars; and Wildstorm’s WildC.A.T.s. Stroman recently returned to the pages of X-Factor, re-teaming with author Peter David for a well-received story arc.
Sure, Dale Keown’s first work for Marvel came on the not quite illustrious Nth Man, the Ultimate Ninja – but that wouldn’t be the title for which he would earn his richly deserved reputation as one of modern comics’ most exciting stylists. That honor would go to his run on Incredible Hulk – where, paired with writer Peter David, he would help take the gamma-irradiated character’s title to the zenith of its popular and creative acclaim. Keown left Hulk following a phenomenal three-year run to head to Image, where he created the memorable Pitt comic and character. Since then, he has contributed art to The Darkness (Image) and re-teamed with Peter David on the one-shot Hulk: The End.
Joe Quesada became Marvel’s editor in chief in 2000, instilling an excitement and buzz that had been lacking for years. He is now Marvel’s chief creative officer. Quesada began as an artist at Valiant and DC during the early 1990s and soon co-founded Event Comics, introducing original characters Ash and Painkiller Jane. By 1998, Quesada’s reputation as both artist and publisher led to the founding of Marvel’s groundbreaking Marvel Knights imprint, with Quesada illustrating the flagship book, Daredevil. Marvel Knights’ critical and sales success led to Quesada’s appointment as editor in chief. In addition to overseeing Marvel’s creative output, Quesada remains an active writer and artist on projects including the Daredevil: Father miniseries and the Spider-Man “One More Day” crossover.
Larry Stroman penciled X-Factor during the early ’90s before beginning work on his creator-owned title Tribe. His work on notable comics characters includes Uncanny X-Men, Black Panther and the Heroes Reborn version of Iron Man for Marvel; DC’s Darkstars; and Wildstorm’s WildC.A.T.s. Stroman recently returned to the pages of X-Factor, re-teaming with author Peter David for a well-received story arc.
Sure, Dale Keown’s first work for Marvel came on the not quite illustrious Nth Man, the Ultimate Ninja – but that wouldn’t be the title for which he would earn his richly deserved reputation as one of modern comics’ most exciting stylists. That honor would go to his run on Incredible Hulk – where, paired with writer Peter David, he would help take the gamma-irradiated character’s title to the zenith of its popular and creative acclaim. Keown left Hulk following a phenomenal three-year run to head to Image, where he created the memorable Pitt comic and character. Since then, he has contributed art to The Darkness (Image) and re-teamed with Peter David on the one-shot Hulk: The End.
Joe Quesada became Marvel’s editor in chief in 2000, instilling an excitement and buzz that had been lacking for years. He is now Marvel’s chief creative officer. Quesada began as an artist at Valiant and DC during the early 1990s and soon co-founded Event Comics, introducing original characters Ash and Painkiller Jane. By 1998, Quesada’s reputation as both artist and publisher led to the founding of Marvel’s groundbreaking Marvel Knights imprint, with Quesada illustrating the flagship book, Daredevil. Marvel Knights’ critical and sales success led to Quesada’s appointment as editor in chief. In addition to overseeing Marvel’s creative output, Quesada remains an active writer and artist on projects including the Daredevil: Father miniseries and the Spider-Man “One More Day” crossover.