
The Cambridge Companion to Medieval British Manuscripts
Cambridge University Press
Published on 17. December 2020
Book
Hardback
340 pages
978-1-107-10246-0 (ISBN)
Description
The scholarship and teaching of manuscript studies has been transformed by digitisation, rendering previously rarefied documents accessible for study on a vast scale. The Cambridge Companion to Medieval British Manuscripts orientates students in the complex, multidisciplinary study of medieval book production and contemporary display of manuscripts from c.600-1500. Accessible explanations draw on key case studies to illustrate the major methodologies and explain why skills in understanding early book production are so critical for reading, editing, and accessing a rich cultural heritage. Chapters by leading specialists in manuscript studies range from explaining how manuscripts were stored, to revealing the complex networks of readers and writers which can be understood through manuscripts, to an in depth discussion on the Wycliffite Bible.
More details
Series
Language
English
Place of publication
Cambridge
United Kingdom
Target group
Professional and scholarly
Product notice
sewn/stitched
Cloth over boards
Dimensions
Height: 229 mm
Width: 152 mm
Thickness: 21 mm
Weight
621 gr
ISBN-13
978-1-107-10246-0 (9781107102460)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

Orietta Da Rold | Elaine Treharne
The Cambridge Companion to Medieval British Manuscripts
Book
12/2020
Cambridge University Press
€33.00
Shipment within 15-20 days

Orietta Da Rold
Cambridge Companion to Medieval British Manuscripts
E-Book
12/2020
Cambridge University Press
€19.49
Available for download

Orietta Da Rold | Elaine Treharne
The Cambridge Companion to Medieval British Manuscripts
E-Book
12/2020
Cambridge University Press
€20.99
Available for download
Persons
Orietta Da Rold is University Lecturer in the University of Cambridge and Fellow of St John's College. Her publications include The Dd Manuscript: A Digital Edition of Cambridge University Library, MS Dd.4.24 of Chaucer's Canterbury Tales (2013) and she has just completed a project entitled From Pulp to Fictions: Paper in Medieval England. Elaine Treharne is Roberta Bowman Denning Professor of Humanities, Professor of English, and Robert K. Packard University Fellow in Undergraduate Education at Stanford University, California, and a Fellow of the Society of Antiquaries, the Royal Historical Society, and the English Association. A qualified archivist, she has published more than thirty books, and sixty articles in early medieval literature and the history of text technologies.
Content
Introduction. The matter of manuscripts and methodologies Orietta Da Rold and Elaine Treharne; Part I. How Do We Study the Manuscript?: 1. Describing and cataloguing medieval English manuscripts: a checklist Richard Beadle and Ralph Hanna; 2. Reading a manuscript description Donald Scragg; 3. Reading and understanding scripts Julia Crick and Dan Wakelin; 4. Working with images in manuscripts Beatrice Kitzinger; 5. The sum of the book: structural codicology and medieval manuscript culture Ryan Perry; Part II. Why Do We Study the Manuscript?: 6. Networks of writers and readers Elaine Treharne and Orietta Da Rold; 7. The written word: literacy across languages Jane Gilbert and Sara Harris; 8. The Wycliffite Bible Elizabeth Solopova; 9. Editing medieval manuscripts for modern audiences Helen Fulton; 10. Where were books made and kept? Tessa Webber; Part III. Where Do We Study the Manuscript?: 11. Charming the snake: accessing and disciplining the medieval manuscript Sian Echard and Andrew Prescott; 12. The curation and display of digital medieval manuscripts Suzanne Paul; 13. The trade A. S. G. Edwards; Further reading; Index.