
Course in Musical Composition
Vincent D'Indy(Author)
University of Oklahoma Press
Will be published approx. on 30. November 2010
Book
Hardback
416 pages
978-0-8061-4134-3 (ISBN)
Description
The first English translation of lectures by a French contemporary of Debussy and Ravel
French composer and educator Vincent d'Indy differed from contemporaries Debussy and Ravel in his conservative political and philosophical ideas and in his musical style. This redaction and English translation of his Cours de composition musicale includes the introductory lectures for the course he taught at the Schola Cantorum in Paris.
D'Indy's ideas about composition, best articulated in the lectures presented here, were unique in their combination of historical concepts and music theory. This is the first publication of d'Indy's work in English. In addition to a faithful translation, Gail Hilson Woldu provides annotations that clarify d'Indy's often complex concepts and correct his occasional errors of fact. In her introduction, Woldu places d'Indy in the world of French music education at the turn of the twentieth century, identifies the chief musical influences on the composer, and discusses the political and religious controversies surrounding the Schola Cantorum and the Paris Conservatoire. The book concludes with the pioneering work of d'Indy scholar Merle Montgomery, who was the first to translate the Cours into English. Her study offers a comparative framework for understanding d'Indy's place in the history of music composition and theory.
This volume introduces students and scholars of music history and composition to an influential teacher and prolific composer of the early twentieth century.
French composer and educator Vincent d'Indy differed from contemporaries Debussy and Ravel in his conservative political and philosophical ideas and in his musical style. This redaction and English translation of his Cours de composition musicale includes the introductory lectures for the course he taught at the Schola Cantorum in Paris.
D'Indy's ideas about composition, best articulated in the lectures presented here, were unique in their combination of historical concepts and music theory. This is the first publication of d'Indy's work in English. In addition to a faithful translation, Gail Hilson Woldu provides annotations that clarify d'Indy's often complex concepts and correct his occasional errors of fact. In her introduction, Woldu places d'Indy in the world of French music education at the turn of the twentieth century, identifies the chief musical influences on the composer, and discusses the political and religious controversies surrounding the Schola Cantorum and the Paris Conservatoire. The book concludes with the pioneering work of d'Indy scholar Merle Montgomery, who was the first to translate the Cours into English. Her study offers a comparative framework for understanding d'Indy's place in the history of music composition and theory.
This volume introduces students and scholars of music history and composition to an influential teacher and prolific composer of the early twentieth century.
More details
Language
English
Place of publication
Oklahoma
United States
Target group
Professional and scholarly
Illustrations
219 black & white illustrations
Dimensions
Height: 235 mm
Width: 156 mm
Thickness: 34 mm
Weight
977 gr
ISBN-13
978-0-8061-4134-3 (9780806141343)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
Gail Hilson Woldu is Associate Professor of Music at Trinity College, Hartford, Connecticut. She has authored numerous articles on Gabriel Faur', Vincent d?Indy, and leading schools of music in late-nineteenth- and early-twentieth-century France.
Merle Montgomery (1904-86) enjoyed a long career as a music educator and promoter. The National Music Council, the Black Music Colloquium and Competition, Music Education for the Handicapped, and the National Federation of Music Clubs are among the many organizations and causes that benefited from her leadership and love of music.
A. Robert Johnson is Artistic Director of the New York Philomusica Chamber Ensemble, of which Merle Montgomery was a Founding Director.
Merle Montgomery (1904-86) enjoyed a long career as a music educator and promoter. The National Music Council, the Black Music Colloquium and Competition, Music Education for the Handicapped, and the National Federation of Music Clubs are among the many organizations and causes that benefited from her leadership and love of music.
A. Robert Johnson is Artistic Director of the New York Philomusica Chamber Ensemble, of which Merle Montgomery was a Founding Director.
Author
Notes
Foreword
Translation