
Screen Encounters with Britain in the Age of Transnational Streaming
Routledge (Publisher)
1st Edition
Will be published approx. on 26. June 2026
Book
Hardback
144 pages
978-1-041-17067-9 (ISBN)
Description
Screen Encounters with Britain explores how global streaming platforms are reshaping viewing patterns and audience encounters, using the circulation, consumption and reception of British films and TV shows in European markets as a case study.
Focusing on young audiences in Denmark, Germany, Italy and the Netherlands, the book provides original audience insights drawing on a wide range of methods, including a survey, digital diaries and interviews and offers a critical perspective on the evolving nature of young audiences' engagement with longform screen content. The evidence presented points towards re-asserted Anglo-American dominance, driven by the power of large US-owned platforms and English as the language of advantage. Building on these findings, the book challenges established theory around the 'home advantage' of domestic media and rethinks linguistic and cultural proximity.
This volume will appeal to scholars and students researching transnational media, audience studies, screen production studies, media industries and youth studies. More broadly, the book will be of interest to scholars and students of the political economy of the media within the social sciences and humanities.
Focusing on young audiences in Denmark, Germany, Italy and the Netherlands, the book provides original audience insights drawing on a wide range of methods, including a survey, digital diaries and interviews and offers a critical perspective on the evolving nature of young audiences' engagement with longform screen content. The evidence presented points towards re-asserted Anglo-American dominance, driven by the power of large US-owned platforms and English as the language of advantage. Building on these findings, the book challenges established theory around the 'home advantage' of domestic media and rethinks linguistic and cultural proximity.
This volume will appeal to scholars and students researching transnational media, audience studies, screen production studies, media industries and youth studies. More broadly, the book will be of interest to scholars and students of the political economy of the media within the social sciences and humanities.
Reviews / Votes
"Screen Encounters with Britain offers gold standard audience research across four European markets. Essential reading for anyone with an interest in the streaming industry."Jean Chalaby, Professor of International Communication, University of London, UK
"This book excellently explores how young audiences engage with screens and platforms in the streaming and social media era. With sound writing and comprehensive audience data, it's a must-read for anyone aiming to understand young audiences and transnational television."
Vilde Schanke Sundet, Professor of Media and Communication, Oslo Metropolitan University, Norway
More details
Series
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
College/higher education
Professional and scholarly
Academic, Postgraduate, and Undergraduate Advanced
Illustrations
23 s/w Tabellen
23 Tables, black and white
Dimensions
Height: 216 mm
Width: 138 mm
ISBN-13
978-1-041-17067-9 (9781041170679)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
Alessandro D'Arma is a Reader at the University of Westminster, UK and a member of the Communication and Media Research Institute (CAMRI). His work focuses on screen industries, digital media policy and public service media.
Andrea Esser is Professor Emerita of Media and Globalization at King's College London, UK. Her work focuses on transnational audiences and production networks, the global distribution and circulation of audiovisual content and media industries policy.
Jeanette Steemers is Professor of Culture, Media and Creative Industries at King's College London, UK. Her work focuses on media industries transformations in children's audiovisual media, public service media, and the global distribution and circulation of audiovisual content.
Andrea Esser is Professor Emerita of Media and Globalization at King's College London, UK. Her work focuses on transnational audiences and production networks, the global distribution and circulation of audiovisual content and media industries policy.
Jeanette Steemers is Professor of Culture, Media and Creative Industries at King's College London, UK. Her work focuses on media industries transformations in children's audiovisual media, public service media, and the global distribution and circulation of audiovisual content.
Author
University of Westminster, UK
King's College London, UK
King's College London, UK
Content
1. Screen Encounters with Britain: Setting the scene; 2. Markets matter: Cultural, industry and viewing contexts; 3. Availability, prominence and discovery of British content; 4. What appeals to young audiences in Europe about British screen content? 5. The impact of global streaming on national broadcasters and domestic content; 6. The wider impact of British film and television: A case of soft power? 7. Conclusion