
Crrritic!
Sighs, Cries, Lies, Insults, Outbursts, Hoaxes, Disasters, Letters of Resignation and Various Other Noises Off in These the First and Last Days of Literary Criticism
Liverpool University Press
Published on 18. May 2011
Book
Paperback/Softback
224 pages
978-1-84519-382-9 (ISBN)
Description
Oscar Wilde famously spoke of 'the critic as artist' whilst Terry Eagleton once celebrated 'the critic as clown'. This exciting new volume brings together a range of writings that seek to radically re-imagine the often pale figure of the literary critic. In doing so we here glimpse a host of unfamiliar figures from the critic as pedestrian to the critic as suicide through the critic as revivalist and even the critic as bodger. The result is a book that seeks to locate the truly critical critic -- or, to be paradoxical, the critic as critic; the critic who is a critic of criticism as conventionally understood. This is the final volume of the immensely successful 'Critical Inventions' series.
More details
Series
Language
English
Place of publication
Liverpool
United Kingdom
Dimensions
Height: 152 mm
Width: 229 mm
Weight
472 gr
ISBN-13
978-1-84519-382-9 (9781845193829)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
John Schad is Professor of Modern Literature at Loughborough University. He is author of Queer Fish: Christian Unreason from Darwin to Derrida, Victorians In Theory and The Reader in the Dickensian Mirrors; editor of Writing the Bodies of Christ, Thomas Hardy's A Laodicean and Dickens Refigured; and co-editor of life.after.theory. Professor Schad is currently writing an experimental book called Derrida via Oxford: Barely a Life. Oliver Tearle is a research student at Loughborough University. He has been published in such journals as Notes and Queries and the Modern Language Review, and has contributed to the online Literary Encyclopedia. Future projects include the co-editing (with John Schad) of a volume of creative-critical essays as part of the Critical Inventions series published by Sussex Academic Press (full details of the series available on the Press website).