
Graphic Design - Reproduction & Representation
A Critical Introduction - Reproduction and Representation Since 1800 (Studies in Design and Material Culture)
Manchester University Press
Published on 19. December 1996
Book
Paperback/Softback
320 pages
978-0-7190-4467-0 (ISBN)
Description
This book examines the impact that nostalgia has had on the Labour Party's political development since 1951. In contrast to existing studies that have emphasised the role played by modernity, it argues that nostalgia has defined Labour's identity and determined the party's trajectory over time. Jobson outlines how Labour, at both an elite and a grassroots level, has been and remains heavily influenced by a nostalgic commitment to an era of heroic male industrial working-class struggle.
This commitment has hindered policy discussion, determined the form that the modernisation process has taken and shaped internal conflict and cohesion. More broadly, Labour's emotional attachment to the past has made it difficult for the party to adjust to the socioeconomic changes that have taken place in Britain. In short, nostalgia has frequently left the party out of touch with the modern world. In this way, this study offers an assessment of Labour's failures to adapt to the changing nature and demands of post-war Britain and will be of interest to both students and academics working in the field of British political history and to those with a more general interest in Labour's history and politics. -- .
This commitment has hindered policy discussion, determined the form that the modernisation process has taken and shaped internal conflict and cohesion. More broadly, Labour's emotional attachment to the past has made it difficult for the party to adjust to the socioeconomic changes that have taken place in Britain. In short, nostalgia has frequently left the party out of touch with the modern world. In this way, this study offers an assessment of Labour's failures to adapt to the changing nature and demands of post-war Britain and will be of interest to both students and academics working in the field of British political history and to those with a more general interest in Labour's history and politics. -- .
More details
Series
Language
English
Place of publication
Manchester
United Kingdom
Target group
College/higher education
Dimensions
Height: 240 mm
Width: 170 mm
ISBN-13
978-0-7190-4467-0 (9780719044670)
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Schweitzer Classification
Content
A medium for the masses I - the popular illustrated weekly and the new reading public in the 19th century; censorship and symbolism - the politics of caricature and satire in France and England during the 19th century; fin-de-siecle poster design - objectifying national style, pleasure and gender; looking right and left - graphic propaganda in Britain after the First World War; between utopianism and commerce - modernist graphic design; a medium for the masses II - modernism and documentary in photojournalism; from pop to protest - graphic design and youth culture in Britain in the 1960s; in the empire of signs - ideology, mythology and pleasure in advertising; graphic design in a postmodern context - the beginning and the end?