Composing under the Skin
The Music-making Body at the Composer's Desk
1st Edition
Will be published approx. on 29. April 2014
Book
Paperback/Softback
260 pages
978-90-5867-974-1 (ISBN)
Description
A revealing study of the physical presence of the musician in musical performance. Fingers slipping over guitar strings, the tap of a bow against the body of a cello, a pianist humming along to the music: contemporary composers often work with parasitic, non-conventional sounds such as these. Are they to be perceived as musical elements or do they shift attention to the physical effort of music-making, contact between a body and an instrument? Composer Paul Craenen explores ways in which the musician's body is revealed in musical performance. He leads us from Cage, Lachenmann, Kagel and their contemporaries to a discussion of how today's generation of young composers is writing a body paradigm into composition itself. Micro-temporal physical gestures and instrumental timbre provide the key to unveiling the physical presence of both a musician and a 'composing body'. The author's concept of 'intercorporeality', along with the idea of an alternating linear and non-linear relationship of the composing body to time, casts new light on the relationship between musicians, composers, and music consumers.
This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).
This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).
More details
Series
Edition
01
Language
English
Place of publication
Leuven
Belgium
Target group
College/higher education
US School Grade: College Graduate Student and over
Product notice
Paperback (trade)
Illustrations
20 Halftones, black and white
Dimensions
Height: 285 mm
Width: 191 mm
Thickness: 21 mm
Weight
900 gr
ISBN-13
978-90-5867-974-1 (9789058679741)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
E-Book
04/2014
1st Edition
Leuven University Press
€47.99
Available for download
Person
Paul Craenen obtained a PhD in the arts at Leiden University in 2011 (docARTES Programme). He is director of Musica, Impulse Centre for Music.
Content
Introduction
Chapter I: Music from Here and There Metamorphosis of the Sounding Space
Music in the World
The Space surrounding the Music The Space for the Music The Space of the Music
Music from Here and There Eye and Ear Music from Somewhere Points, Lines, Spheres Resonance Discipline Resistance Interruption Concrete Music, Moving Sound Music from There Music from Here Travelling between Here, There, and Somewhere
Chapter II: The Body Resounds The Silent Body Collective Tension Spatial Frustration
The Sounding Body Instrumental Theatre Contact Microphones and EEGs Between the Abstract and the Concrete The Voice Exposed
A Concrete Turn Ideology, Rediscovery, Experiment Audible Processes Sound Art Musique concreteMusique concrete instrumentale Ambivalences
Chapter III: Composed Instruments A Mediated Relationship The Ecology of Hearing The Dynamics of Resonant Presence
The Instrumental Extension An Invisible Instrument Isolation and Selection Inspiring Effort
Playing Technique and Musicality The Virtuoso Body
Instrumental Thinking
Music-Making as Performance Instrumental Intentions Instrumental Imagination
Instrumental Identity Striking and Bowing Bowing Striking Seeing, Hearing, Feeling Mirroring the Strike, Voicing the Instrument Enacting and Subvocalising Multi-modal Gesture Plucking
The Point and the Line
Sequenza V "Why?" The Trombone as Percussion Percussive Silence Sequenza V, Section B
Composed Instruments Dynamic Identity
Chapter IV: The Composed Body The Composer's Perspective An Impossible Object Access to the Body
Compositional Strategies Revealing Enlarging Synchronising Demonstrating Conceptualising Projecting Infecting Interacting
Linearity versus Nonlinearity Patchworks From Composition to Design
The Composing Body The Writing Body The Signature of the Composing Body The Body's Touch The "Now" of Timbre
The Body as a Strategic Zero Point-Beyond the Body The Body as a Filter The Body as Memory Kinaesthetic Explorations Beyond the Body
Refences Index About the author
Chapter I: Music from Here and There Metamorphosis of the Sounding Space
Music in the World
The Space surrounding the Music The Space for the Music The Space of the Music
Music from Here and There Eye and Ear Music from Somewhere Points, Lines, Spheres Resonance Discipline Resistance Interruption Concrete Music, Moving Sound Music from There Music from Here Travelling between Here, There, and Somewhere
Chapter II: The Body Resounds The Silent Body Collective Tension Spatial Frustration
The Sounding Body Instrumental Theatre Contact Microphones and EEGs Between the Abstract and the Concrete The Voice Exposed
A Concrete Turn Ideology, Rediscovery, Experiment Audible Processes Sound Art Musique concreteMusique concrete instrumentale Ambivalences
Chapter III: Composed Instruments A Mediated Relationship The Ecology of Hearing The Dynamics of Resonant Presence
The Instrumental Extension An Invisible Instrument Isolation and Selection Inspiring Effort
Playing Technique and Musicality The Virtuoso Body
Instrumental Thinking
Music-Making as Performance Instrumental Intentions Instrumental Imagination
Instrumental Identity Striking and Bowing Bowing Striking Seeing, Hearing, Feeling Mirroring the Strike, Voicing the Instrument Enacting and Subvocalising Multi-modal Gesture Plucking
The Point and the Line
Sequenza V "Why?" The Trombone as Percussion Percussive Silence Sequenza V, Section B
Composed Instruments Dynamic Identity
Chapter IV: The Composed Body The Composer's Perspective An Impossible Object Access to the Body
Compositional Strategies Revealing Enlarging Synchronising Demonstrating Conceptualising Projecting Infecting Interacting
Linearity versus Nonlinearity Patchworks From Composition to Design
The Composing Body The Writing Body The Signature of the Composing Body The Body's Touch The "Now" of Timbre
The Body as a Strategic Zero Point-Beyond the Body The Body as a Filter The Body as Memory Kinaesthetic Explorations Beyond the Body
Refences Index About the author