
Rape at the Opera
Staging Sexual Violence
Margaret Cormier(Author)
The University of Michigan Press
Published on 8. January 2024
Book
Paperback/Softback
210 pages
978-0-472-05629-3 (ISBN)
Description
The most-performed operas today were written at least a hundred years ago and carry some outdated and deeply problematic ideas. When performed uncritically, the misogyny, racism, and other ideologies present in many of these works clash with modern sensibilities. In Rape at the Opera, Margaret Cormier argues that production and performance are vital elements of opera, and that contemporary opera practitioners not only interpret but create operatic works when they put them onstage. Where some directors explicitly respond to contemporary dialogues about sexual violence, others utilize sexual violence as a surefire way to titillate, to shock, and to generate press for a new production.
Drawing on archival footage as well as attendance at live events, Cormier analyzes productions of canonic operas from German, Italian, and French traditions from the eighteenth to the early twentieth century, including Die Entfuehrung aus dem Serail, Don Giovanni, La forza del destino, Un ballo in maschera, Salome, and Turandot. In doing so, Cormier highlights the dynamism of twenty-first-century opera performance practice with regard to sexual violence, establishes methods to evaluate representations of sexual violence on the opera stage, and reframes the primary responsibility of opera critics and creators as being not to opera composers and librettists but to the public.
Drawing on archival footage as well as attendance at live events, Cormier analyzes productions of canonic operas from German, Italian, and French traditions from the eighteenth to the early twentieth century, including Die Entfuehrung aus dem Serail, Don Giovanni, La forza del destino, Un ballo in maschera, Salome, and Turandot. In doing so, Cormier highlights the dynamism of twenty-first-century opera performance practice with regard to sexual violence, establishes methods to evaluate representations of sexual violence on the opera stage, and reframes the primary responsibility of opera critics and creators as being not to opera composers and librettists but to the public.
Reviews / Votes
"Rape at the Opera: Staging Sexual Violence makes a substantial contribution to the body of updated, ethical criticism about opera narratives and productions. Given the intensified conversations around sexual violence in contemporary culture in general, Cormier's critical assessment is a timely call for reflection on the responsibilities of staging opera today." -- Kristi Brown-Montesano, Herb Albert School of Music, UCLA "Rape at the Opera is a compelling piece of scholarship with clear and engaging writing. Cormier's ethics of care-when it comes to staging-extends to an ethics of care for her reader as well. She presents nuanced analyses of the risks and benefits to staging sexual violence, providing a thoroughly interdisciplinary approach to opera." -- Monica Hershberger, SUNY Genesco "Rape at the Opera is an important contribution to scholarship that links performance to its social contexts and a valuable resource for any scholar, performer, director, or critic grappling with the reconciliation of real-world trauma and its representation in canonical works." * Jessica Sipe, Music & Letters *More details
Series
Language
English
Place of publication
Ann Arbor
United States
Target group
Professional and scholarly
Illustrations
12 figures, 3 music examples
Dimensions
Height: 229 mm
Width: 152 mm
ISBN-13
978-0-472-05629-3 (9780472056293)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
Margaret Cormier is an independent scholar and opera dramaturg.
Content
List of Illustrations
Acknowledgments
Introduction
1. Staging Rape Myths in Don Giovanni
2. Salomeas Victim
3. Die Entfuehrung aus dem Serail and the Limits of Critique
4: Rape in/as Warfare: The Perils of Allegory
Conclusion
Appendix: Don Giovanni Productions
Acknowledgments
Introduction
1. Staging Rape Myths in Don Giovanni
2. Salomeas Victim
3. Die Entfuehrung aus dem Serail and the Limits of Critique
4: Rape in/as Warfare: The Perils of Allegory
Conclusion
Appendix: Don Giovanni Productions