
Empathy
Philosophical and Psychological Perspectives
Oxford University Press
Published on 26. June 2014
Book
Paperback/Softback
432 pages
978-0-19-870642-7 (ISBN)
Description
Empathy has for a long time, at least since the eighteenth century, been seen as centrally important in relation to our capacity to gain a grasp of the content of other people's minds, and predict and explain what they will think, feel, and do; and in relation to our capacity to respond to others ethically. In addition, empathy is seen as having a central role in aesthetics, in the understanding of our engagement with works of art and with fictional characters. A fuller understanding of empathy is now offered by the interaction of research in science and the humanities. Empathy: Philosophical and Psychological Perspectives draws together nineteen original chapters by leading researchers across several disciplines, together with an extensive Introduction by the editors. The individual chapters reveal how important it is, in a wide range of fields of enquiry, to bring to bear an understanding of the role of empathy in its various guises. This volume offers the ideal starting-point for the exploration of this intriguing aspect of human life.
Reviews / Votes
I found the volume very stimulating and the breadth of discussion refreshing [...] I highly recommend it to people interested in empathy and empathy-related phenomena. * Heidi Lene Maibom, Mind *More details
Language
English
Place of publication
Oxford
United Kingdom
Target group
College/higher education
Professional and scholarly
Dimensions
Height: 234 mm
Width: 156 mm
Thickness: 24 mm
Weight
652 gr
ISBN-13
978-0-19-870642-7 (9780198706427)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
Amy Coplan is Associate Professor of Philosophy at California State University, Fullerton. Her primary research interests are in philosophy of emotion, aesthetics (especially philosophy of film), feminist philosophy, and ancient Greek philosophy. She has published articles on the nature and importance of emotion and on various forms of emotional engagement with film, including empathy, sympathy, and emotional contagion. She is currently editing a collection on the film Blade Runner for the Routledge series Philosophers on Film.
Peter Goldie was the Samuel Hall Chair in Philosophy at the University of Manchester. His main philosophical interests included the philosophy of mind, ethics, and aesthetics, and particularly questions concerning value and how the mind engages with value. His books include The Emotions: A Philosophical Exploration (OUP, 2000), and On Personality (Routledge, 2004), and the co-authored Who's Afraid of Conceptual Art? (Routledge, 2010). He edited Understanding Emotions: Mind and Morals (Ashgate, 2002), and The Oxford Handbook of Philosophy of Emotion (OUP, 2010), and co-edited Philosophy and Conceptual Art (OUP, 2007).
Peter Goldie was the Samuel Hall Chair in Philosophy at the University of Manchester. His main philosophical interests included the philosophy of mind, ethics, and aesthetics, and particularly questions concerning value and how the mind engages with value. His books include The Emotions: A Philosophical Exploration (OUP, 2000), and On Personality (Routledge, 2004), and the co-authored Who's Afraid of Conceptual Art? (Routledge, 2010). He edited Understanding Emotions: Mind and Morals (Ashgate, 2002), and The Oxford Handbook of Philosophy of Emotion (OUP, 2010), and co-edited Philosophy and Conceptual Art (OUP, 2007).
Content
SECTION I. EMPATHY AND MIND; SECTION II. EMPATHY AND AESTHETICS; SECTION III. EMPATHY AND MORALITY