
Theory into Practice
Composition, Performance and the Listening Experience
Leuven University Press
1st Edition
Published on 24. November 1999
Book
Paperback/Softback
120 pages
978-90-6186-994-8 (ISBN)
Description
'Theory into Practice. Composition, Performance and the Listening Experience' is the second publication in the series 'Collected Writings of the Orpheus Institute'. The series comprises articles concerning the activities of the Orpheus Institute.
The centrale theme of this book is the relationship between the reflections about and the relization of a musical composition. In his paper Words about Music, or Analysis versus Performance, Nicholas Cook states that words and music can never be aligned exactly with one another. He embarks on a quest for models of the relationship between analytical conception and performance that are more challenging than those in general currency.
Peter Johnson's article Performance and the Listening Experience: Bach's 'Erbarme dich' shows that a performance is an element within the intentionality of the work itself. He looks for scientific methods capable of proving the artisticity of a performance.
The composer Hans Zender, in his A Road Map for Orpheus?, states that a composer must be capable of questioning obvious basic principles (such as equal temperament) and finding creative solutions.
A dutch edition is also available.
The centrale theme of this book is the relationship between the reflections about and the relization of a musical composition. In his paper Words about Music, or Analysis versus Performance, Nicholas Cook states that words and music can never be aligned exactly with one another. He embarks on a quest for models of the relationship between analytical conception and performance that are more challenging than those in general currency.
Peter Johnson's article Performance and the Listening Experience: Bach's 'Erbarme dich' shows that a performance is an element within the intentionality of the work itself. He looks for scientific methods capable of proving the artisticity of a performance.
The composer Hans Zender, in his A Road Map for Orpheus?, states that a composer must be capable of questioning obvious basic principles (such as equal temperament) and finding creative solutions.
A dutch edition is also available.
More details
Series
Edition
01
Language
English
Place of publication
Leuven
Belgium
Target group
College/higher education
Professional and scholarly
US School Grade: College Graduate Student and over
Product notice
Paperback (trade)
Illustrations
Not illustrated
Dimensions
Height: 234 mm
Width: 156 mm
Thickness: 7 mm
Weight
183 gr
ISBN-13
978-90-6186-994-8 (9789061869948)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Content
Preface
Texts
Nicholas Cook
Words about Music, or Analysis Versus Performance
Peter Johnson
Performance and the Listening Experience: Bach's "Erbarme Dich"
Hans Zender
A Roadmap for Orpheus? About non-Linear Codes of Music for the Descent into its Underworld
Personaliae
Colofon
Texts
Nicholas Cook
Words about Music, or Analysis Versus Performance
Peter Johnson
Performance and the Listening Experience: Bach's "Erbarme Dich"
Hans Zender
A Roadmap for Orpheus? About non-Linear Codes of Music for the Descent into its Underworld
Personaliae
Colofon