
Judith Wright and Emily Carr
Gendered Colonial Modernity
Bloomsbury Academic (Publisher)
Published on 25. February 2021
Book
Hardback
288 pages
978-1-350-18820-4 (ISBN)
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Description
Knitting together two fascinating but entirely distinct lives, this ingeniously structured braided biography tells the story of the lives and work of two women, each a cultural icon in her own country yet lesser known in the other's.
Australian poet Judith Wright and Canadian painter Emily Carr broke new ground for female artists in the British colonies and influenced the political and social debates about environment and indigenous rights that have shaped Australia and Canada in the 21st century. In telling their story/ies, this book charts the battle for recognition of their modernist art and vision, pointing out significant moments of similarity in their lives and work.
Although separated by thousands of miles, their experience of colonial modernity was startlingly analogous, as white settler women bent on forging artistic careers in a male-dominated world and sphere rigged against them. Through all this, though, their cultural importance endures; two remarkable women whose poetry and painting still speak to us today of their passionate belief in the transformative power of art.
Australian poet Judith Wright and Canadian painter Emily Carr broke new ground for female artists in the British colonies and influenced the political and social debates about environment and indigenous rights that have shaped Australia and Canada in the 21st century. In telling their story/ies, this book charts the battle for recognition of their modernist art and vision, pointing out significant moments of similarity in their lives and work.
Although separated by thousands of miles, their experience of colonial modernity was startlingly analogous, as white settler women bent on forging artistic careers in a male-dominated world and sphere rigged against them. Through all this, though, their cultural importance endures; two remarkable women whose poetry and painting still speak to us today of their passionate belief in the transformative power of art.
Reviews / Votes
This is a fascinating book about two colonial modernist women - an artist/author and a poet - both of whom are long overdue fresh critical assessment. Collett and Jones present a compelling narrative of the way in which the creative endeavours of these two pioneering women influenced the path of artistic modernism in the colonies. The volume is steeped in meticulous scholarship yet written with a deceptively light touch which makes it a pleasure to read. -- Gerri Kimber, Visiting Professor, University of Northampton, UK.More details
Series
Language
English
Place of publication
London
United Kingdom
Publishing group
Bloomsbury Publishing PLC
Target group
College/higher education
Illustrations
4 bw illus; 16 colour illus
Dimensions
Height: 234 mm
Width: 156 mm
Weight
612 gr
ISBN-13
978-1-350-18820-4 (9781350188204)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
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E-Book
01/2021
1st Edition
Bloomsbury Academic
€35.49
Available for download
Persons
Anne Collett is Associate Professor of English Literatures at the University of Wollongong, Australia. She has published widely on postcolonial poetry with particular focus on women's writing from Australia, Canada and the Caribbean across the 19th to 21st centuries. Most recently, Collett has published in the area of environmental humanities. She edited Kunapipi: journal of postcolonial writing & culture from 1999-2012 (see https://ro.uow.edu.au/kunapipi/).
Dorothy Jones is a Senior Honorary Fellow of English Literatures at the University of Wollongong, Australia. She studied at the universities of Otago in New Zealand, Adelaide in Australia, and Oxford in the UK, and has published widely in the area of postcolonial literature with special emphasis on women writers.
Dorothy Jones is a Senior Honorary Fellow of English Literatures at the University of Wollongong, Australia. She studied at the universities of Otago in New Zealand, Adelaide in Australia, and Oxford in the UK, and has published widely in the area of postcolonial literature with special emphasis on women writers.
Content
Acknowledgements
List of Illustrations
Introduction
Chapter One: Self-Portraits, Painted and Written
Chapter Two: The Artist as a Young Colonial Girl
Chapter Three: Death of the Mother
Chapter Four: The Voyage Out
Chapter Five: Many Roads Meet Here
Chapter Six: Jack McKinney: the equal heart and mind
Chapter Eight: Lawren Harris: where the soul penetrates
Chapter Nine: Shadow Sisters: Kath and Sophie
Chapter Ten: Late Love, Late Style
Conclusion
Epilogue
Works Cited
List of Illustrations
Introduction
Chapter One: Self-Portraits, Painted and Written
Chapter Two: The Artist as a Young Colonial Girl
Chapter Three: Death of the Mother
Chapter Four: The Voyage Out
Chapter Five: Many Roads Meet Here
Chapter Six: Jack McKinney: the equal heart and mind
Chapter Eight: Lawren Harris: where the soul penetrates
Chapter Nine: Shadow Sisters: Kath and Sophie
Chapter Ten: Late Love, Late Style
Conclusion
Epilogue
Works Cited